1. What tends to be the central figure(s) in the images presented in Chapter 4 on pages 66 and 67?
(a) Popes and Cardinals.
(b) Madonna and child.
(c) Nudes in gardens.
(d) Political leaders, scientists, and authors.

2. In Chapter 2, what is the same between pages 40 to 41 and pages 42 to 43?
(a) All of the pages are publicity for the female figure.
(b) All of the pages depict wealthy and powerful men.
(c) All of the pages demonstrate the difference between men and women.
(d) All of the pages are a statement on the historical struggle of artists.

3. What types of images are paired together on pages 126 and 127?
(a) Advertisements and celebrity photos.
(b) Drawings and architectural diagrams.
(c) Female nude paintings and male nude photos.
(d) Oil paintings and photographs.

4. Which of the following is an example of how creating a reproduction can change the meaning of a painting?
(a) The face of one figure in a group can be isolated in reproduction to become a portrait.
(b) A publisher of an art history book decides to reproduce images to accompany the text.
(c) A photographer takes a picture of Da Vinci's the "Virgin of the Rocks" in the National Gallery.
(d) An art student attempts to make a reproduction of Da Vinci's "Virgin of the Rocks".

5. What makes the self-portraits on pages 80 and 81 interesting to the viewer?
(a) The painter includes more fine details in the self-portraits than a typical commissioned portrait.
(b) The artist gives the viewer more than the single eye of perspective.
(c) The perspective is more intimate and human than a typical portrait.
(d) The subject is more intriguing in a typical portrait.