1. In Chapter 2, what are the authors trying to demonstrate with the images on pages 40 and 41?
(a) That mixing images of men and women defines the unique qualities of each.
(b) That mixing images of formal portraits and self-portraits defines the unique qualities of each.
(c) That the combination of photographs and paintings creates a contrast similar to realism and abstract painting.
(d) That the combination of text and image can create a very powerful and intentional meaning.

2. Who is Frans Hals?
(a) A young impressionist in 1890.
(b) An emerging artist in New York City in 1990.
(c) An eighty-year-old destitute Dutch painter in 1664.
(d) A famous, modern, art historian.

3. What affect does a title have on a painting's meaning?
(a) Words in a title can change the interpretation of a painting.
(b) A title can be changed to any words without affecting the viewer.
(c) A title is not necessary in historical paintings.
(d) Words in a title will affect the painting more than the viewer.

4. After reproductions are made, an original work of art is unique only in its what?
(a) Rarity.
(b) Meaning.
(c) Interpretation.
(d) Composition.

5. Which statement is NOT true about viewing an image made in the past?
(a) A viewer "sees" himself in the landscape he looks at.
(b) Images from the past are made clear with a modern understaning of events.
(c) Images show a sight that is not presently available.
(d) A work of art mystifies one about the past.