Rabelais and His World Test | Lesson Plans Mid-Book Test - Hard

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Mid-Book Test - Hard

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This test consists of 5 short answer questions, 10 short essay questions, and 1 (of 3) essay topics.

Short Answer Questions

1. Did the "unofficial" and "official" forms of speech ever coincide?

2. Why, according to Bakhtin, is Rabelais' parody of the Church not considered heresy?

3. In the Prologue of the Third Book, to which contemporary events does Rabelais allude?

4. According to Bakhtin, what is the function of art?

5. What does Bakhtin argue is the role of dialogue?

Short Essay Questions

1. Why does the speaker of the prologue of the Third Book invite only good men to drink?

2. What is the significance of Friar John's description of the monastery belfry as "fecund"?

3. What is the significance of the two Russian eras of history to which Bakhtin refers in Chapter Three?

4. What is the role of games in Rabelais' work?

5. How does Rabelais use the element of popular speech known as "coq-à-l'âne"?

6. What is the significance of the figure of the androgyne in Rabelais' novel?

7. How are being drenched in urine or covered in excrement treated in Rabelais' novel?

8. What is the connection between the banquet and speech?

9. How is Bakhtin's book "double-voiced," as Michael Holquist asserts it is?

10. In general, what happened to the use of humor in literature after Rabelais' time?

Essay Topics

Essay Topic 1

What connections do Bakhtin and the authors of the Foreword and the Prologue draw between Bakhtin and Rabelais? How were their lives and times similar? What common themes are evident in their writing? In which important ways do they differ?

Essay Topic 2

What is a "blazon"? How are blazons part of the carnivalesque and grotesque traditions of folk humor? What sorts of people or things were turned into blazons, and why? How is the theme of duality related to the blazon? How does Rabelais employ blazons in his novel?

Essay Topic 3

How does Rabelais use myth in his work? What types of myth does he draw from (classical, popular, spiritual, etc.)? How are allusions to mythology a part of carnivalesque culture? Cite at least three specific examples of identifiable myths which Rabelais alludes to, alters, parodies, travesties, or repeats.

(see the answer keys)

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