2. Who "influenced Europe for half a century through a couple of performances given in Hampstead in a church hall"?
(a) Gordon Craig.
(b) Samuel Beckett.
(c) Martha Graham.
(d) Antoine Artaud.

3. The author writes, "Of course nowhere does the Deadly Theatre install itself so securely, so comfortably and so slyly as in the works of" whom?
(a) Williams.
(b) Brecht.
(c) Shakespeare.
(d) Moliere.

4. What is the earliest relationship during the performance/rehearsal process?
(a) Director/designer/actor.
(b) Director/subject/designer.
(c) Director/designer/audience.
(d) Director/actor/audience.

5. What does the "inner man" express only in his words?
(a) Lust and rage.
(b) Anarchy and poetry.
(c) Love and hatred.
(d) Fear and desire.

Short Answer Questions

1. "By using language illogically, by introducing the ridiculous in speech and the fantastic in behaviour, an author of the __________ opens up for himself another vocabulary."

2. What does the author refer to as "The Theatre of the Invisible-Made-Visible"?

3. The author says of Deadly Theatre, that "just the right degree of _______ is a reassuring guarantee of a worthwhile event."

4. The author believes the science of theatre building demands studying what it is, which brings about the most what?

5. The theatre is "the last forum" where what is still an open question?

(see the answer key)

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