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Name: _________________________ | Period: ___________________ |
This quiz consists of 5 multiple choice and 5 short answer questions through The Rough Theatre, part 1 (p. 73 to 92).
Multiple Choice Questions
1. What era was a thriving point for Jouvet and Bérard, Jean-Louis Barrault, Clave at the ballet, Don Juan, Amphitryon, La Folk de Chaillot, Carmen, and others?
(a) The 1800s.
(b) The 1960s.
(c) The 1920s.
(d) The 1940s.
2. What group is led by Julian Beck and Judith Malina?
(a) The Living Theatre.
(b) The Theatre of Cruelty.
(c) The Dead Theatre.
(d) The Laboratory.
3. Who from the Martha Graham company has evolved a ballet company whose daily exercises are a continual preparation for the shock of freedom?
(a) Winter Stephenson.
(b) Samuel Beckett.
(c) Merce Cunningham.
(d) Catherine Fitzmaurice.
4. What is the name of Peter Weiss' play about Auschwitz, which the author uses in example?
(a) Final Hour.
(b) The Investigation.
(c) Auschwitz.
(d) The Diary of Anne Frank.
5. The author writes of productions in Russia of classical Shakespearean works which rehearsed for how long, yet were unable to perform as well as a hack company?
(a) Two years.
(b) Six years.
(c) Five months.
(d) One year.
Short Answer Questions
1. What type of theatre is usually distinguished by the absence of what is called style?
2. In regard to music, the author says we may make a personality cult of whom?
3. What does the author refer to Meyerhold's experiments as?
4. "A director dealing with elements that exist outside of himself can cheat himself into thinking his work more ______ than it is."
5. The author opines that "today the theatre of doubting, of unease, of trouble, of alarm, seems truer than the theatre" with what?
This section contains 268 words (approx. 1 page at 300 words per page) |
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