Cinema 1: The Movement-Image Test | Final Test - Medium

This set of Lesson Plans consists of approximately 93 pages of tests, essay questions, lessons, and other teaching materials.

Cinema 1: The Movement-Image Test | Final Test - Medium

This set of Lesson Plans consists of approximately 93 pages of tests, essay questions, lessons, and other teaching materials.
Buy the Cinema 1: The Movement-Image Lesson Plans
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This test consists of 5 multiple choice questions, 5 short answer questions, and 10 short essay questions.

Multiple Choice Questions

1. Space becomes any-space-whatever through which component?
(a) Fragmentation.
(b) Darkness.
(c) Coordinates.
(d) Colorism.

2. Which film is used as an example by the filmmaker Snow?
(a) The Hills.
(b) The City.
(c) The Central Region.
(d) The San Joaquin Valley.

3. Which of the following does Deleuze describe as encouraging realism?
(a) Secondness.
(b) Milieus.
(c) Firstness.
(d) Synsign.

4. According to Deleuze, what is the most important element of naturalism?
(a) Affective-image.
(b) Action-image.
(c) Perception-image.
(d) Impulse-image.

5. Deleuze believes that Bunuel's work is characterized by which quality?
(a) Organic trends.
(b) Impulsiveness.
(c) Repetition.
(d) Expressionism.

Short Answer Questions

1. What is defined as aesthetic or landscape?

2. Eisenstein uses eyeglasses as an index for which of the following elements?

3. How does Deleuze describe the difference between Bunuel and Stroheim?

4. What is the first pole of action-image?

5. Spirituality affects a close-up in that it removes what from the environment?

Short Essay Questions

1. What is naturalism?

2. What are second and final domain?

3. What is impulse-image?

4. When did the crisis of action-image begin in three different countries?

5. Describe Herzog's obsessive themes.

6. Describe the role Deleuze believes acting plays in a film.

7. Why does Deleuze feel that Americans have difficulties with naturalism?

8. What are milieus?

9. What is eternal return?

10. What are the five traits of the new image, according to Deleuze?

(see the answer keys)

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