2. Movement's first subdivision is into which category?
(a) Perception-images.
(b) Movement-images.
(c) Small-images.
(d) Dimension-images.

3. Bergson's second thesis looks at cinema as which of the following?
(a) Perfected illusion.
(b) Immobile illusion.
(c) Moving illusion.
(d) Pathetic illusion.

4. In what film does Griffith's martyred girl appear?
(a) Social Sorrows.
(b) Broken Blossoms.
(c) Shattered Dreams.
(d) Useless Hopes.

5. "Eye of the camera" was coined by who?
(a) Griffith.
(b) Mitry.
(c) Deleuze.
(d) Dos Passos.

6. What is the name of the instrument that unites any point in any order?
(a) Dicisign.
(b) Camera.
(c) Reume.
(d) Cine-eye.

7. What term does Deleuze describe as relating movement to a changing whole?
(a) Spectator frontal view.
(b) Montage.
(c) Second level shot.
(d) Unmoving set.

8. Modified, restored images are assumed to be which of the following?
(a) Perceptive.
(b) Subjective.
(c) Affective.
(d) Objective.

9. Showing a view for effective is an example of which of the following?
(a) Sensory factor.
(b) Affective factor.
(c) Active factor.
(d) Subjective factor.

10. Which is true of a rarefied frame?
(a) It tends to reduce images.
(b) It tends to make images blur.
(c) It tends to create unity in movement.
(d) It tends to make images clear.

11. Frame dovetail to demonstrate what kind of changes?
(a) Cutting changes.
(b) Quantitative changes.
(c) Qualitative changes.
(d) Frontal changes.

12. What was the first book about film written by Deleuze?
(a) Film 1.
(b) Shots 1.
(c) Philosophy 1.
(d) Cinema 1.

13. What is the first role of the face, according to Deleuze?
(a) Qualifying.
(b) Individuating.
(c) Powering.
(d) Quantifying.

14. How does Deleuze define philosophy?
(a) Creation of thoughts.
(b) Creation of concepts.
(c) Creation of a story.
(d) Creation of film.

15. The conflict between materialism and which other element is a duality of image and movement?
(a) Idealism.
(b) Negativism.
(c) Positivism.
(d) Reaslism.