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This test consists of 5 multiple choice questions, 5 short answer questions, and 10 short essay questions.

Multiple Choice Questions

1. What term does Deleuze describe as relating movement to a changing whole?
(a) Montage.
(b) Unmoving set.
(c) Second level shot.
(d) Spectator frontal view.

2. What is the second pole of the face as described by Deleuze?
(a) Objectivity.
(b) Social.
(c) Dimension.
(d) Quality.

3. What country does Deleuze credit with organic schools?
(a) Japan.
(b) France.
(c) USA.
(d) Germany.

4. What is the second element of Bergson's second thesis?
(a) All-false-whatevers.
(b) No-pathetic-instants.
(c) Any-privileged-instants.
(d) Any-instant-whatevers.

5. Deleuze says that image is movement in the same way that matter is which of the following?
(a) Light.
(b) Perception.
(c) Action-image.
(d) Shadow.

Short Answer Questions

1. The view of a participating character is which of the following images?

2. In a montage, how often does the camera move?

3. What are instantaneous images also known as?

4. Bergson's second thesis includes which of the following?

5. What does Deleuze say regularly transitions back and forth?

Short Essay Questions

1. What does Deleuze attribute to US film?

2. What did Gance contribute to film?

3. What is a montage?

4. What does Deleuze attribute to Soviet film?

5. How can a filmmaker show unity of movement?

6. What is dicisign?

7. Describe Eisenstein's close-up style.

8. Why might a filmmaker want to use a montage?

9. What roles does Deleuze assign to the face?

10. How does Deleuze describe Epstein's use of facial dimensions?

(see the answer keys)

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