Cinema 1: The Movement-Image Test | Mid-Book Test - Medium

This set of Lesson Plans consists of approximately 93 pages of tests, essay questions, lessons, and other teaching materials.

Cinema 1: The Movement-Image Test | Mid-Book Test - Medium

This set of Lesson Plans consists of approximately 93 pages of tests, essay questions, lessons, and other teaching materials.
Buy the Cinema 1: The Movement-Image Lesson Plans
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This test consists of 5 multiple choice questions, 5 short answer questions, and 10 short essay questions.

Multiple Choice Questions

1. What is the second pole of the face as described by Deleuze?
(a) Objectivity.
(b) Dimension.
(c) Quality.
(d) Social.

2. Griffith used a chariot and car race in which film?
(a) The Race.
(b) La Roue.
(c) Intolerance.
(d) The Birds.

3. What is the first role of the face, according to Deleuze?
(a) Individuating.
(b) Powering.
(c) Quantifying.
(d) Qualifying.

4. What is the example used in Bergson's third thesis to demonstrate the point?
(a) Sugar dissolving in water.
(b) Hot and cold water mixing.
(c) Tea bags in water creating tea.
(d) Flour, water, and sugar being mixed.

5. Bergson identified which of the following as translation in space?
(a) Movement.
(b) Illusion.
(c) Philosophy.
(d) Cinema.

Short Answer Questions

1. What country does Deleuze credit with dialectic trends?

2. Which of the following was part of Bergson's first thesis of movement?

3. What term is used to describe the use of separate cinematic close-ups from specific places they appear?

4. What does Deleuze describe as matter with dimensions in space?

5. What is another term meaning semi-subjective?

Short Essay Questions

1. What does Deleuze attribute to pre-war French film?

2. How does Deleuze describe objectivity?

3. What roles does Deleuze assign to the face?

4. What is cinematographic illusion?

5. What is the second level?

6. How does Deleuze describe Sternberg's use of facial dimensions?

7. What does Deleuze attribute to US film?

8. Describe the subdivisions of movement.

9. Describe Bergson's third thesis.

10. What concept of film does Deleuze seem to have in the introduction to the text?

(see the answer keys)

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