Cinema 1: The Movement-Image Test | Final Test - Easy

This set of Lesson Plans consists of approximately 93 pages of tests, essay questions, lessons, and other teaching materials.

Cinema 1: The Movement-Image Test | Final Test - Easy

This set of Lesson Plans consists of approximately 93 pages of tests, essay questions, lessons, and other teaching materials.
Buy the Cinema 1: The Movement-Image Lesson Plans
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This test consists of 15 multiple choice questions and 5 short answer questions.

Multiple Choice Questions

1. How does Deleuze describe the difference between Bunuel and Stroheim?
(a) Bunuel's work was more Americanized.
(b) Bunuel's work had a romantic element.
(c) Bunuel's work had a spiritual element.
(d) Bunuel's work was based more on Expressionism.

2. Which term describes an environment or setting?
(a) Montage.
(b) Synsign.
(c) Binomial.
(d) Milieu.

3. What kind of director does Deleuze believe to have the most difficulty with naturalism?
(a) Pre-war French.
(b) Soviet.
(c) German.
(d) American.

4. Charlie Chaplin is used by Deleuze as an example of how a small difference in which element can show a big difference in situation?
(a) Angle.
(b) Color.
(c) Dialogue.
(d) Action.

5. What term is defined as the small form that grafts itself on large form?
(a) Synsign.
(b) Silhouette.
(c) Pathetisation.
(d) Hullinatory.

6. What is defined as space that can be global or local in conception?
(a) Second domain.
(b) Aesthetics.
(c) Landscape.
(d) Final domain.

7. Who does Deleuze credit as extending the realm of cinema to include the audience?
(a) Langeon.
(b) Laurel and Hardy.
(c) Marx Brothers.
(d) Hitchcock.

8. When did the crisis of action-image begin in France?
(a) 1936.
(b) 1949.
(c) 1955.
(d) 1958.

9. Which of the following does Deleuze describe as encouraging realism?
(a) Secondness.
(b) Firstness.
(c) Milieus.
(d) Synsign.

10. Deleuze says that directors often fail at naturalism because they are unable to operate in which of the following?
(a) Spirituality.
(b) Impulses.
(c) Limits.
(d) Reptition.

11. What is the name of the form in which things move from action to situation.
(a) SAA.
(b) ASA.
(c) SAS.
(d) AAS.

12. Whose film was "Our Hospitality"?
(a) Chaplin.
(b) Keaton.
(c) Gance.
(d) Hawk.

13. What kind of form did Ford use predominately?
(a) Short.
(b) Medium.
(c) Small.
(d) Large.

14. According to Pierce, nothing is beyond which of the following?
(a) Deliberation.
(b) Thirdness.
(c) Secondness.
(d) Firstness.

15. Who is the second man Deleuze calls a cinematic master of realism?
(a) Bergson.
(b) Mitry.
(c) Fuller.
(d) Bunuel.

Short Answer Questions

1. What is the name of the film genre dedicated to small form action-image?

2. When did the crisis of action-image begin in Italy?

3. What is the first pole of action-image?

4. The laws of organic composition include the laws of what type of movement?

5. Deleuze claims that impression links situation with which other element?

(see the answer keys)

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