1. Where did Grotowski reset "Akropolis"?
(a) A scientist's laboratory.
(b) A dirt road.
(c) A military prison.
(d) A concentration camp.

2. Who does Grotowski say theorized that the theatre should be a synthesis of all the arts?
(a) Kranikav.
(b) Brecht.
(c) Wagner.
(d) Stanislavski.

3. Grotowski's "holy actor" does not sell his body but _____ .
(a) Destroys it.
(b) Sacrifices it.
(c) Retains it.
(d) Represses it.

4. Who played the role of the King in Grotowski's production of "The Constant Prince"?
(a) Ryszard Cieslak.
(b) Stanislaw Scierski.
(c) Antoni Jaholkowski.
(d) Ludwik Flaszen.

5. Who played the role of the Constant Prince in Grotowski's production of "The Constant Prince"?
(a) Rena Mirecka.
(b) Stanislaw Scierski.
(c) Antoni Jaholkowski.
(d) Ryszard Cieslak.

Short Answer Questions

1. Grotowski states in "Theatre is an Encounter" that he gravitates toward the great romantic poets of Poland, but also to the works of Calderon and _____.

2. Faustus is considered not only a saint but also _____.

3. What did the actors wear in the production of "Akropolis"?

4. Whom does Grotowski quote in "Towards a Poor Theatre" (Chapter 1) as saying, "Each technique leads to metaphysics"?

5. In "Actor's Training (1966)" it is stated that "if something is symmetrical it is not _____."

(see the answer key)

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