1. Grotowski says in "Skara Speech" that he has underlined the fact through the workshop that there are no impulses or reactions without _____.
(a) Emotion.
(b) Physicality.
(c) Thought.
(d) Contact.

2. Whom does the Angel struggle with in "Akropolis"?
(a) Jacob.
(b) John.
(c) Michael.
(d) Peter.

3. Grotowski states in "Theatre is an Encounter" that Meyerhold's production of "The Inspector General" was a sort of collage of the texts of _____.
(a) Beckett.
(b) Shakespeare.
(c) Gogol.
(d) Chekhov.

4. Part V of "Actor's Training (1959 - 1962)" are "Leaps and _____."
(a) Gestures.
(b) Dances.
(c) Somersaults.
(d) Falls.

5. What type of respiration is the most effective for the actor?
(a) Total respiration.
(b) Deep respiration.
(c) Lower respiration.
(d) Upper respiration.

Short Answer Questions

1. Grotowski states in "Theatre is an Encounter" that he gravitates toward the great romantic poets of Poland, but also to the works of Calderon and _____.

2. Part VI of "Actor's Training (1959 - 1962)" are exercises involving _____.

3. The actor should take special care to open the _____ when speaking and breathing.

4. It is the task of _____ to amplify the carrying power of sound emitted in the actor.

5. Grotowski states in "Skara Speech" that memories are always _____.

(see the answer key)

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