Towards a Poor Theatre Quiz | Eight Week Quiz D

This set of Lesson Plans consists of approximately 135 pages of tests, essay questions, lessons, and other teaching materials.

Towards a Poor Theatre Quiz | Eight Week Quiz D

This set of Lesson Plans consists of approximately 135 pages of tests, essay questions, lessons, and other teaching materials.
Buy the Towards a Poor Theatre Lesson Plans
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This quiz consists of 5 multiple choice and 5 short answer questions through The Constant Prince, and He Wasn't Entirely Himself, and Methodical Exploration.

Multiple Choice Questions

1. In "Dr Faustus: Textual Montage", it is written that the play is a dialectic between mockery and _____.
(a) Apotheosis.
(b) Satire.
(c) Morality.
(d) Evil

2. When did the interview for "Theatre is an Encounter" take place?
(a) 1965.
(b) 1960.
(c) 1967.
(d) 1969.

3. Who is the author of "The Constant Prince"?
(a) Calderon.
(b) Marlowe.
(c) Shakespeare.
(d) Artaud.

4. Whose rhythm exercises does Grotowski find most important?
(a) Stanislavski's.
(b) Dullin's.
(c) Delsarte's.
(d) Brecht's.

5. Who is the critic whose review of "The Constant Prince" is contained in the book?
(a) Josef Schwartz.
(b) Josef Kelera.
(c) Michael Cleauson.
(d) Denis Robans.

Short Answer Questions

1. What act and scene in the original script of "Dr. Faustus" does Grotowski's version begin with?

2. What does Grotowski define as "not a collection of skills but an eradication of blocks?"

3. How does Grotowski claim to feel when asked, "What is the origin of your experimental theatre productions?"

4. Grotowski writes in "He Wasn't Entirely Himself," that "like ____, Artaud knew of Emmanuel's coming, and what it promised."

5. What does Grotowski say is as important in the education of the actor as it is to a pianist or dancer?

(see the answer key)

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