3. This period marks a huge transition in ____________________ of the cathedral.
(a) The personnel of the construction.
(b) The funding of the construction.
(c) The desire to see the construction.
(d) The design of the construction.

4. Why are the people of Chutreaux lucky?
(a) The architect is quickly replaced.
(b) The clergy change their minds.
(c) Their work stoppage lasts only five years.
(d) The cathedral is basically finished.

5. In 1280, the choir of the cathedral is ready to receive ___________.
(a) The stained glass windows.
(b) The roof.
(c) The crown molding.
(d) The vaulted ceiling.

6. The largest simple pieces of glass are about __________ inches square.
(a) Six.
(b) Seven.
(c) Eight.
(d) Five.

7. When the glass gets the right size, the end is cut off and the pipe is spun _________ around and around.
(a) Evenly.
(b) Quickly.
(c) Slowly.
(d) A few times.

8. The process begins when a solid model of the bell is made in ___________.
(a) Plaster of Paris.
(b) Cement.
(c) Clay and plaster of Paris.
(d) Clay.

9. This unique device is essentially a man-sized __________ that is operated by one or two men who walk around the inside of it.
(a) Wheel.
(b) Crane.
(c) Platform.
(d) Lever.

10. The down spouts are stone sculptures made to look like ___________.
(a) Stoic saints.
(b) Angelic cherubs.
(c) Beautiful angels.
(d) Frightening monsters.

11. In what year, does work resume?
(a) 1311.
(b) 1321.
(c) 1315.
(d) 1320.

12. As the men walk so the axle turns and winds up ________, lifting very heavy loads from the floor.
(a) The wall.
(b) A leather strap.
(c) Very tight.
(d) The rope.

13. Two wooden ___________ cross each other at the middle of the square.
(a) Piers.
(b) Centerings.
(c) Traceries.
(d) Webbings.

14. These sheets are used to cover ___________________ making a weatherproof roof.
(a) The roof boards.
(b) The wooden frame.
(c) The shingles.
(d) The lead frame.

15. Does this transition period interrupt the work on the cathedral?
(a) No.
(b) Only at first.
(c) Only later.
(d) Yes.