Art & Fear: Observations on the Perils (and Rewards) of Artmaking Quiz | Two Week Quiz A

David Bayles
This set of Lesson Plans consists of approximately 105 pages of tests, essay questions, lessons, and other teaching materials.

Art & Fear: Observations on the Perils (and Rewards) of Artmaking Quiz | Two Week Quiz A

David Bayles
This set of Lesson Plans consists of approximately 105 pages of tests, essay questions, lessons, and other teaching materials.
Buy the Art & Fear: Observations on the Perils (and Rewards) of Artmaking Lesson Plans
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This quiz consists of 5 multiple choice and 5 short answer questions through Chapter 5, Finding Your Work.

Multiple Choice Questions

1. Artists should not worry about being misunderstood as ___________ to the understanding can produce bad art.
(a) Bending.
(b) Driving.
(c) Witnessing.
(d) Listening.

2. A person can pretend to be ___________, but they can not pretend to be making art, even when that art is bad.
(a) An artist.
(b) Creative.
(c) Enjoying art.
(d) A writer.

3. _____________ can cause fears, according to the authors, and many artists hold themselves up unrealistically as a result.
(a) Truth.
(b) Schools.
(c) Expectations.
(d) Reviews.

4. The line between fantasy and ___________ is thin, according to the authors, causing artists to create impractical and destructive situations.
(a) Art.
(b) Truth.
(c) Honor.
(d) Expectation.

5. In order to create a support network, the authors advise that students seek to form ___________ with their friends after graduation.
(a) Schools.
(b) Galleries.
(c) Clubs.
(d) Networks.

Short Answer Questions

1. Artists will often look for __________, which will affirm one's humanity, according to the authors.

2. A true artist understands that ___________ will show the diligence of their art practice and goals, according to the authors.

3. It is hard to produce the same sort of art from another's ______________, according to the authors, is impossible.

4. The __________ line, according to the authors, is the line between one's vision and one's current degree of execution.

5. Whether or not critics should create __________ for an artist, they still do, according to the authors.

(see the answer key)

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