What to Listen for in Music - Chapter 18, From Composer to Interpreter to Listener and Chapter 19, Epilogue Summary & Analysis

This Study Guide consists of approximately 32 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of What to Listen for in Music.

What to Listen for in Music - Chapter 18, From Composer to Interpreter to Listener and Chapter 19, Epilogue Summary & Analysis

This Study Guide consists of approximately 32 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of What to Listen for in Music.
This section contains 877 words
(approx. 3 pages at 400 words per page)
Buy the What to Listen for in Music Study Guide

Chapter 18, From Composer to Interpreter to Listener and Chapter 19, Epilogue Summary and Analysis

In every musical situation there are three separate factors: a composer, an interpreter, and a listener. These distinct entities form a type of triumvirate which can only function as a whole. Copland states that in order to understand and appreciate music, each of these entities must be explored and understood.

What do we look for in a composer? This may be a difficult question, since a composer's work is often abstract. It is not necessary for the composer to tell us a story like a novelist; he is not required to duplicate nature like a sculptor; the composer's work is not required to have "immediate practical function" like that of an architect. What a composer gives us is himself, a sense of his...

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This section contains 877 words
(approx. 3 pages at 400 words per page)
Buy the What to Listen for in Music Study Guide
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