3. What does Camus say people become intimates of at the "climax of contemporary tragedy"?
(a) Art.
(b) Crime.
(c) Power.
(d) Religion.

4. According to Camus in Part 3, what did Germany submit to when deprived of Goethe's morality?
(a) Ethics of the gang.
(b) Politics of the rebels.
(c) Religion of the gang.
(d) Money from the gang.

5. What must be subdued for Christians and Marxists, according to Part 3?
(a) Nurture.
(b) Nature.
(c) Religion.
(d) Politics.

6. What does Camus think, in Part 3, the Fascist revolutions of the twentieth century lack?
(a) Rebellion.
(b) Universality.
(c) Leaders.
(d) Religion.

7. In Part 3, what alone kept Hitler alive?
(a) Hatred.
(b) Politics.
(c) Money.
(d) Action.

8. In Part 4, Rousseau denounced a corruption of what in art by society?
(a) Knowledge.
(b) Nature.
(c) Nurture.
(d) Beauty.

9. According to Camus in Part 4, what does the American novel reject?
(a) Analysis.
(b) Rebellion.
(c) Fiction.
(d) Truth.

10. According to Camus in Part 5, what is the only way a rebel can reconcile himself with committing murder?
(a) Murdering again.
(b) Going to court.
(c) Accepting his own death.
(d) Writing an apology.

11. According to Camus in Part 5, what preaches a sermon on charity?
(a) Rebellion.
(b) Religion.
(c) Virtue.
(d) Reality.

12. Artistic creation is a demand for what in Part 4?
(a) Power.
(b) Respect.
(c) Unity.
(d) Truth.

13. According to revolution in Part 3, man is nothing if he does not obtain what?
(a) Power.
(b) Money.
(c) Unanimous approval.
(d) Crime.

14. A man's rebellion is refusal to be treated as what, according to Part 3?
(a) An object.
(b) A heretic.
(c) A politician.
(d) A leader.

15. According to Part 4, what is the most ambitious of the arts?
(a) Writing.
(b) Painting.
(c) Singing.
(d) Sculpture.