2. Some statesmen, philosophers, and artists of the West could be referred to as what?
(a) "Tea-philosophers."
(b) "Tea-aestheticians."
(c) "Tea-lovers."
(d) "Tea-fiends."

3. Taoism is concerned with what time?
(a) The past.
(b) The present and the future.
(c) The present.
(d) The future.

4. What does Zennism mean?
(a) Peace.
(b) Prayer.
(c) Meditation.
(d) Silence.

5. Okakura used tea as a symbol for what in East Asia?
(a) Life.
(b) Freedom.
(c) Love.
(d) Art.

6. It is unfortunate that Taoism and Zennism, which are so intimately linked to Teaism, have had no very good translations for who to digest properly?
(a) Americans.
(b) Easterners.
(c) Westerners.
(d) Non-Asians.

7. When was this power of tea shown?
(a) By the late-1400s.
(b) By the late-1700s.
(c) By the late-1500s.
(d) By the late-1600s.

8. What is one of these sides?
(a) The great painter.
(b) The great artisan.
(c) The great scholar.
(d) The great student.

9. Are stereotypes breaking down with modernization?
(a) Yes.
(b) Only slightly.
(c) No.
(d) Only at first.

10. In what century was a man named Lu Wu born?
(a) The 8th.
(b) The 7th.
(c) The 5th.
(d) The 6th.

11. This imagery is reflected in many arts, such as the martial art of ____________ which emphasizes absorbing the enemy's blows in order to exhaust him.
(a) Jiu-jitsu.
(b) Tai-Kwan-Do.
(c) Karate.
(d) Kenpo.

12. Beyond curating, he wrote several books, lectured extensively, and submitted articles to _______________ journals.
(a) Academic.
(b) Art.
(c) Academic and art.
(d) Science.

13. Okakura could be brilliant but also ________________; visionary but suffering from cultural myopia, arrogant and pedantic but sentimental.
(a) Ignorant.
(b) Unsure.
(c) Infantile.
(d) Unintelligent.

14. What represents a harmonious synthesis of these personalities?
(a) The Book of Tea.
(b) The Tea Tale.
(c) The Tea Story.
(d) The Tale of Tea.

15. Many Japanese treated heirlooms and traditional art as what?
(a) Precious treasures.
(b) Family jewels.
(c) Everyday items.
(d) Little more than junk.