2. When offering Martin the screenplay, how does he try to convince him?
(a) By allowing him to meet the cast.
(b) By giving him a walk on role.
(c) By giving him shares of stock.
(d) By doubling the price.

3. The relationship between John and Martina moves in which way?
(a) Passionately.
(b) Slowly.
(c) Anxiously.
(d) Quickly.

4. Which character's car is taken away?
(a) John.
(b) Fielding.
(c) Martin.
(d) Selina.

5. Spunk reminds John of who?
(a) Martin.
(b) Lorne.
(c) Himself.
(d) Selina.

6. Which character is not impressed with the screenplay for the film John is directing?
(a) Lorne.
(b) Martin.
(c) Caduta.
(d) Fielding.

7. Fielding ruins John using which of the following?
(a) Career.
(b) Romance.
(c) Creativity.
(d) Money.

8. Martina cannot handle which of the following?
(a) John's betrayal.
(b) John's job.
(c) Selina's history with John.
(d) John's sexuality.

9. Fat Vince finds a job for John working in which of the following?
(a) A grocery store stockroom.
(b) A school administration building.
(c) A gym.
(d) An ice cream van.

10. What does Vron act strangely about?
(a) Her job.
(b) John's film.
(c) The magazine she was in.
(d) John's relationship with his father.

11. John goes to the opera with which character?
(a) Spunk.
(b) Butch.
(c) Selina.
(d) Martina.

12. What wedding is coming up that everybody is excited about?
(a) Selina and John.
(b) Martina and Ossie.
(c) Amis and his wife.
(d) Prince Charles and Princess Di.

13. Who does John specifically say he is unafraid of?
(a) Ossie.
(b) Frank.
(c) Fielding.
(d) Butch.

14. What does Martin provide John with at the end of the novel?
(a) A father.
(b) Love.
(c) Reassurance.
(d) Faith.

15. John gets the idea that the mysterious phone man is which of the following?
(a) Actually a woman.
(b) Crippled.
(c) A blackmailer.
(d) A robber.