3. Why does Luka want to move on to a new location?
(a) People have discovered a new religion that he wants to see.
(b) He likes the weather there better.
(c) His family is close to there.
(d) He wants to get away from the people at the boardinghouse.

4. What is Kleshtch working on during the fourth act?
(a) Concertina.
(b) A door.
(c) A window.
(d) A table.

5. What is the implied goal for which to strive, according to the fourth act?
(a) Being a free man.
(b) Being a healthy man.
(c) Being a genuine man.
(d) Being a rich man.

6. In Luka's second story, how will the man know when he reaches his goal?
(a) He will be told.
(b) Everything will be peaceful and good.
(c) He will be rich.
(d) He will be healthy.

7. Why do the downtrodden need their fictions according to Luka?
(a) To make others feel better.
(b) To trick others.
(c) To look a little better.
(d) To give them hope.

8. Why does Luka think that Kleshtch is upset in act three?
(a) His broken heart.
(b) He is tired.
(c) He is sick.
(d) His loss of work.

9. Who ridicules the storyteller?
(a) Bubnoff and the Baron.
(b) Bubnoff and the Actor.
(c) Satine and the Actor.
(d) Satine and the Baron.

10. What is the first thing mentioned missing from the set in the fourth act?
(a) Beds.
(b) Table.
(c) Partition.
(d) Bench.

11. Who had a plan at one point to kill his wife and boss?
(a) The Actor.
(b) Kostilyoff.
(c) Satine.
(d) Bubnoff.

12. Who encourages the storyteller to continue the love story?
(a) Luka.
(b) Natasha.
(c) The Actor.
(d) Nastya.

13. Which character has disappeared without a trace in the fourth act?
(a) Satine.
(b) Tartar.
(c) Nastya.
(d) Natasha.

14. Who wants to know why Natasha has not finished her kitchen duties?
(a) Satine.
(b) Kostilyoff.
(c) Vassilisa.
(d) The Actor.

15. What mistake did the storyteller have while telling the story in the third act?
(a) The lover's name changed.
(b) How they met changed.
(c) The location changed.
(d) The ending changed.