3. According to Luka's message, everyone lives for what?
(a) To have children.
(b) In hope of a better life for himself.
(c) To die.
(d) To enjoy family.

4. Why do the downtrodden need their fictions according to Luka?
(a) To give them hope.
(b) To make others feel better.
(c) To trick others.
(d) To look a little better.

5. What does Tartar say about Luka?
(a) He calls Luka annoying.
(b) He calls Luka good.
(c) He calls Luka a liar.
(d) He calls Luka old.

6. In Luka's second story, how will the man know when he reaches his goal?
(a) He will be rich.
(b) He will be healthy.
(c) Everything will be peaceful and good.
(d) He will be told.

7. What is Kleshtch working on during the fourth act?
(a) A window.
(b) A table.
(c) Concertina.
(d) A door.

8. Who does Pepel profess his love to in the third act?
(a) Nastya.
(b) Natasha.
(c) The Actor.
(d) Anna.

9. How does the setting look in the fourth act?
(a) Renewed.
(b) Light.
(c) Messy.
(d) Dark.

10. What does Kleshtch relate goodness to?
(a) The Criminal Code.
(b) The Gospels.
(c) A report card.
(d) Koran.

11. Who stops the storyteller from being ridiculed?
(a) Natasha.
(b) Luka.
(c) Satine.
(d) Nastya.

12. Who does the Baron tell to hush up?
(a) Kostilyoff.
(b) The Actor.
(c) Natasha.
(d) Satine.

13. Which character has disappeared without a trace in the fourth act?
(a) Tartar.
(b) Natasha.
(c) Nastya.
(d) Satine.

14. When did the character that vanished make their exit?
(a) During the middle of the chaos of the fight.
(b) At lunchtime.
(c) In the middle of the night.
(d) During Nastya's story.

15. Who do the boarders think has gone mad since Anna's death?
(a) Kleshtch.
(b) Satine.
(c) Pepel.
(d) Kostilyoff.