of Foreign Missions, in order to study his position
and to prepare for his rehabilitation as a priest.
But he complained bitterly of the treatment which
he received at the seminary, and paid frequent visits
to Clement, who, with astounding simplicity, allowed
him to remain for hours, often quite alone, in the
Royal library. Here he employed himself in making
selections from priceless manuscripts, sometimes cutting
out pages from the middle of a volume where the theft
would be less easily detected. When he had gathered
in a considerable harvest, he cleverly obtained another
passport, and escaped back to the Hague with his ill-gotten
gains. He accounted for his absence by saying
that he had been to seek documents, important for the
defence of religion, and made no secret of having
brought back rich trophies. It was thus through
public rumour that Clement first became aware that
the king’s library had been robbed. But
Aymon’s method of pilfering had so far succeeded
that it was some time before it could be ascertained
what number of manuscripts he had carried off.
By degrees, however, the list was completed and sent
to Holland. The Abbe Bignon was the king’s
librarian at the time when it was discovered that one
at least of the stolen treasures was in the Harleian
library. As soon as Edward, Lord Oxford became
aware of the fact, he hastened to restore it, and
received in exchange a very polite acknowledgement
of his courtesy from Cardinal Fleury on behalf of
the king.*
* L. V. Delisle, Le Cabinet des Manuscrits de la Bibliotheque
Imperiale.
In 1725 Wanley enumerated the Greek MSS. in the Harleian
collection as 173. Among the illuminated ones,
that which bears the number 1810 demands special attention.
It is an Evangelia executed in Greece in the twelfth
century, and written in black and red characters on
the finest vellum. Some of the miniatures have
suffered woefully, the paint having cracked in parts,
but the faces are still full of beauty and life.
One of the least damaged represents the death of the
Blessed Virgin. The apostles surround the bed
on which she lies extended; the aged St. Peter lifts
up his hands in an attitude of grief; St. John is leaning
over her left side; another bends forward and embraces
her feet. In a lozenge-shaped medallion on a
gold background our Lord holds her soul in His arms,
in the form of a little child. A crowd of people
form the background, and a figure at the head of the
bed swings a censer. Three women contemplate
the scene from a small window.
Another remarkable miniature, the last in the volume,
is a good deal cracked, but still extremely interesting
for the force and delicacy of touch which it displays.
Our Lord appears to the apostles after His Resurrection.
St. Thomas is in the act of placing his finger in the
wounded side. The print of the nails is seen in
the hands and feet. Sir Edward Thompson distinguishes
this manuscript with his by no means frequent encomium,
“very good.”