The Greek Evangelium of the ninth or tenth century (5787), with its ornamental initials and borders, and St. Jerome’s Latin version of the Psalter (2793), with a preface addressed to Sophronius, and written in a tenth-century hand, should not be passed over.

Another Psalter (2904), executed in England at the end of the tenth or beginning of the eleventh century, has a fine drawing of the Crucifixion, and grand initial letters.  Westwood, in his Facsimiles and Miniatures, considers this drawing to be the finest of the kind, and the initial B (Beatus vir qui non abiit in consilio impiorum), the noblest with which he is acquainted.  This manuscript has most of the characteristics of the later Anglo-Saxon school-the hunched-up shoulders to express grief, the attenuated lower limbs, and the manner in which prominence is given to the central figure by drawing the others much smaller.  On a scroll which St. John holds are the words, “Hic est discipulis qui testimonii perhibet.”  The arrangement of Pilate’s superscription—­“Hic est Nazaren IHC rex judaeor”—­is unusual but not without precedent.

The Harleian library contains no fewer than 300 MSS. of the Bible or parts of the Bible, written and illuminated between the seventh and the fourteenth centuries.  Of the later copies we may note one of the whole Bible, written in the thirteenth century, and described in the “Catalogue of Ancient MSS. in the British Museum,” as remarkable; and a Psalter, written before 1339, splendidly illuminated, and further interesting as having belonged to Philippa of Hainault, and as bearing the arms of England without those of France.

There is also a fine series of Talmudical and Rabbinical books; nearly 200 volumes of Fathers of the Church, as well as liturgical books of the different Latin and Greek rites.

The polite literature of the Middle Ages is admirably represented, among other examples by the famous Roman de la Rose, with its brilliant fourteenth-century miniatures, its wonderful figures gorgeously dressed, its broad borders richly decorated with fruit, birds, insects, and flowers, of which the rose is the most salient feature.  One fascinating miniature shows—­

Comment Narcissus se mira
A la fontaine et souspira”;

and after a long but delightful pilgrimage by flowery meads and limpid streams, amid curious mediaeval gardens

“La conclusion du rommant
Est que vous voiez ez lemant
Qui prent la rose a son plaisir
En qui estait tout son desir.”

This glimpse of the treasures of the Harleian library will at least account for the great celebrity it attained within a comparatively short time of its foundation.  Wanley was careful to enter into his Diary the names of visitors, and any interesting details connected with them, and their motives for an inspection.  On the 15th January 1719/20 he observed:—­

“Dr.Fiddes came, and communicated to me his intention of writing the life of Cardinal Wolsey at large; and desired me to transcribe for him all such materials in this library as I should find for his purpose.  I showed him divers things here, and gave him notice of many others in the Cottonian library, etc., but as to transcribing for him, begged his excuse, etc.”