The Doors of Perception, and Heaven and Hell Quiz | Two Week Quiz A

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This quiz consists of 5 multiple choice and 5 short answer questions through Book 2: Appendix 4.

Multiple Choice Questions

1. What does the author say at the end of Appendix 4 about the relationship between an artist's character and their work?
(a) Artists must suffer to produce great work.
(b) You can judge a man's character by looking at his work.
(c) There is no correlation between the two.
(d) Only men of great character can create great works of art.

2. Who used to say that when he self-flagellated God would deny him nothing?
(a) Benedict XVI.
(b) The Apostle Paul.
(c) Saint John.
(d) The Cure d'Ars.

3. What happens when mescalin or LSD is used in conjunction with the second technique described in Appendix 1?
(a) The effects of the drugs immediately wear off.
(b) The effects of the drugs are intensified and enriched.
(c) Any negative effects being experienced by the user will disappear.
(d) The user is more prone to nausea, vomiting or seizure.

4. Why are marble and stone often particularly impressive materials in art?
(a) Because the pieces made from them are usually very large.
(b) Because they last longer than many other pieces of art.
(c) Because they are so hard to find.
(d) Because they are more difficult to work with than other media.

5. Why do people sometimes leave flowers as a religious offering, according to the author?
(a) Because they don't have anything precious to give, but flowers are always available.
(b) Because they don't really understand the significance of doing so.
(c) Because they feel, on some level, that they are giving back something which is indigenous to Heaven.
(d) Because they are a living sacrifice but not associated with feelings of guilt and shame the way other sacrifices are.

Short Answer Questions

1. What La Tour painting was acquired by the Louvre in 1934?

2. Which is NOT a practice that mimics the effects which result from the first technique described in Appendix 1?

3. According to the author, what are the two ways to achieve a level of consciousness that allows for exploration of the undiscovered areas of the mind?

4. What does the author say about vision-inducing devices and effects at the beginning of Appendix 3?

5. The first painter mentioned in Appendix IV was the appointed artist to the king of what nation?

(see the answer key)

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