Huxley, Aldous
Aldous Huxley, 1894–1963. The novels, short stories, and essays of the English author Huxley explore crucial questions of science, religion, and philosophy.
Aldous Leonard...
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The novels, short stories, and essays of the English author Aldous Leonard Huxley (1894-1963) explore crucial questions of science, religion, and philosophy.Aldous Huxley was born into a family of int...
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Novelist and essayist Aldous Huxley has been described by New Statesman contributor V. S. Pritchett as "that rare being--the prodigy, the educable young man, the perennial asker of unusual questions."...
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Tall, witty, charismatic, conspicuously handsome, a polymath, Aldous Huxley was an intellectual lighthouse for over forty years. He wrote poetry; drama; screenplays; journalism; biography; social, s...
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It has often been argued that even in his fiction Aldous Leonard Huxley never ceased to be the essayist. To the extent that, from Crome Yellow (1921) onward, he shared Thomas Love Peacock's interest i...
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Among intellectuals Aldous Huxley 's reputation as a novelist flourished in the 1920s. His literary accomplishments span many genres: poetry, essays, plays, journalism, historical studies, travel wor...
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Aldous Huxley earned widespread attention in the 1920s as a promising young fiction writer who wrote brilliant and scathing stories about British writers and intellectuals gathered around socialite Ot...
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For four decades Aldous Huxley was a major figure in the literary mainstream, yet he is now chiefly remembered for a novel that is, by any definition, science fiction. In this respect his position is ...
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In the following review of Limbo, originally published in The New Republic in 1920, Gorman compares Huxley's work to Max Beerbohm's.
Mr. Aldous Huxley, a new and extremely prepossessing ...
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In the following review of Limbo, originally published in The Times Literary Supplement in 1920, Woolf calls Huxley's stories clever, amusing, interesting, and well written.
We know for ourselv...
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In the review of Mortal Coils below, which was originally published in the New York Sunday Tribune in 1922, Cuppy rejects earlier assessments of this collection as superficial, insisting that Huxley i...
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In the following review of Little Mexican, originally published in the Times Literary Supplement in 1924, the critic praises the “elasticity” in Huxley's work, admiring what other...
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In the following excerpt from his journals, the noted author and critic Bennett generally approves of the characterization in the tales in Little Mexican but says the stories have no proper end and th...
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In the following review of Two or Three Graces, originally published in the Saturday Review in 1926, Hartley calls Huxley a “literary acrobat” whose perfect execution of difficult feats ...
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In the following review originally published in the Nation in 1926, Krutch calls “Two or Three Graces” a “grotesquely tragic story” that for all its ironical detachment is ...
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In the following review of Brief Candles, Hazlitt argues that Huxley brings a message to his stories—that if one tries to be superhuman, one becomes subhuman.
After half a dozen volumes Aldous ...
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In the following study of “Nuns at Luncheon,” Kempton offers two interpretations of the satirical story: as a tale within an anecdote which is a fiction that ends as a polemic, and as a ...
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In the following review of Collected Short Stories, Newby finds Huxley's short stories strained and anti-intellectual, contending that Huxley is not a true short story writer despite the brilli...
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In the following review of Collected Short Stories, Pritchett contends that the short story form was indadequate for Huxley's “great scoldings.”
The attraction of the early Huxley...
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In the following essay, Beringause contends that an analysis of “The Gioconda Smile” reveals that Huxley is more than a “negative propagandist who satirizes negative nostrums....
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In the following excerpt from his full-length study of Huxley's works, Holmes discusses the early story “Eupompus Gave Splendour to Art by Numbers” and notes its autobiographical ...
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In the following essay, Watt argues that in his story “The Gioconda Smile,” Huxley crystallizes a significant theme that appears in his work as he seeks value and meaning in life—...
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In the following essay, Schubert maintains Huxley's short fiction is mainly concerned with humans' inescapable predestinatio, and that the predominant stylistic device he uses to express...
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In the following essay, Gill discusses Aldous Huxley's experimentations with LSD as a means of reaching spiritual enlightenment, concluding that Huxley ultimately failed because of his inabilit...
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Critical Essay by Frederick J. Hoffman
Huxley has often demonstrated in his novels the fact that ideas may possess qualities which are comparable with those which animate persons—and this parti...
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Critical Essay by Charles M. Holmes
[Huxley's] early poetry is a record of the highly complicated inner struggle which influenced, even determined the theme and the shape of his much more popul...
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Critical Essay by Charlotte Legates
[The] paintings of Pieter Brueghel the Elder had a profound influence on the writing of Aldous Huxley. Huxley seems to have been attracted to Brueghel's atti...
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Critical Essay by Francis Wyndham
Reading a book by Aldous Huxley is like being entertained by a host who is determined that one should not suffer a moment's boredom and works perhaps a bit too...
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Critical Essay by Jerome Meckier
Despite the fact that their tone perceptively darkens, Aldous Huxley's first three novels—and for freshness and exuberance they may be his finest comic a...
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Critical Essay by Laurence Brander
The essay has become a neglected form. The rush of progress has made it too expensive to print what essayists have to say, and we regret it even more than the loss o...
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Aldous Huxley was born July 26, 1894 under somewhat harsh, yet also very promising, circumstances. Throughout his life, Huxley's family, period of time in which he lived and circumstances molded his ...
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