Emma Cline Writing Styles in White Noise (The New Yorker)

Emma Cline
This Study Guide consists of approximately 24 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of White Noise.

Emma Cline Writing Styles in White Noise (The New Yorker)

Emma Cline
This Study Guide consists of approximately 24 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of White Noise.
This section contains 902 words
(approx. 3 pages at 400 words per page)
Buy the White Noise (The New Yorker) Study Guide

Point of View

The short story is written from a third person limited point of view. This means that the third person narrator remains closest to the main character Harvey Weinstein's consciousness. This narrative vantage, therefore, enacts Harvey's delusional understanding of himself and relationship with the world around him. As the story unfolds, the narrator inhabits Harvey's psyche more intimately, presenting his most private thoughts and feelings as truths about Harvey's character and the narrative world. For example, as Harvey gets ready for the day, his mind moves through the complexities of the case against him. "He had survived an assassination attempt. Because how else could you describe what they were trying to do to him? The shocking, incredible resources they had marshaled against one man? He was just a man, just one man in red socks and a too-thin T-shirt, an ache in his left molar, a...

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This section contains 902 words
(approx. 3 pages at 400 words per page)
Buy the White Noise (The New Yorker) Study Guide
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