The Theater and Its Double Quiz

Antonin Artaud

This Study Guide consists of approximately 29 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of The Theater and Its Double.

Get The Theater and Its Double from Amazon.com

View the Study Pack

View the Lesson Plans

Study Guide

Order our The Theater and Its Double Study Guide

Download Now

Plot Summary

+Chapters Summary and Analysis

Preface: Theater and Culture

I. Theater and the Plague

II. Metaphysics and the Mise en Scène

III. The Alchemical Theater

IV. On the Balinese Theater

V. Oriental and Occidental Theater

VI. No More Masterpieces

VII. The Theater and Cruelty

VIII. The Theater of Cruelty (First Manifesto)

IX. Letters on Cruelty

X. Letters on Language

XI. The Theater of Cruelty (Second Manifesto)

XII. An Affective Athleticism

XIII. Two Notes

In Memoriam: Antonin Artaud By Maurice Saillet

Free Quiz

Characters

Objects/Places

Themes

Style

Quotes

Topics for Discussion

Order our The Theater and Its Double Study Guide

Download Now

The Theater and Its Double Quiz

The Theater and Its Double Quiz

Of what does Artaud say needs not to change before theater is renewed, but the reverse is true? (from VI. No More Masterpieces)

Artaud writes that to "restore [theater] to its original direction, to reinstate it in its religious and metaphysical aspect, is to reconcile it with ______." (from V. Oriental and Occidental Theater)

Artaud states that in the Oriental theater, forms assume and extend their "sense and their significations on all possible levels; or, if you will, they set up ______ not on a single level, but on every level of the mind at once." (from V. Oriental and Occidental Theater)

To whom does the author write his third letter from "Letters on Cruelty"? (from IX. Letters on Cruelty)

In his first letter from "Letters on Language," Artaud writes "It seems, in brief, that the highest possible idea of the theater is one that reconciles us philosophically with _____." (from X. Letters on Language)