Tabitha McIntosh-Byrd is a doctoral candidate at the University of Pennsylvania. In the following essay, she analyzes Herman Wouk's The Caine Mutiny as a 'hostile text'-a novel that resists critical and analytic interpretive strategies.

The Caine Mutiny opens with a textual artifact- a page torn from the book of Navy Regulations which contains the articles relating to relief of a commanding officer. It closes with another- the "torn paper" of parade confetti which "brushed the face of the last captain of the Caine." Between these ripped paper bookends lies a densely intertextual work which is layered with deliberate echoes of a multitude of canonical texts-the most obvious being The Rime of the Ancient Mariner, Moby-Dick, and the book of Genesis-and contains scattered references to dozens of others. Though this would seem, at first glance, to mark it as a novel that invites literary interpretation, nothing could be...