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All You Need Is Ears Quiz

George Martin

This Study Guide consists of approximately 26 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of All You Need Is Ears.

All You Need Is Ears by George Martin

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All You Need Is Ears Quiz

George Martin

This Study Guide consists of approximately 26 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of All You Need Is Ears.

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Take our free All You Need Is Ears quiz below, with 25 multiple choice questions that help you test your knowledge. Determine which chapters, themes and styles you already know and what you need to study for your upcoming essay, midterm, or final exam. Take the free quiz now!

Directions: Click on the correct answer.

Questions 1-5 of 25:

1.

Regarding orchestration, what does George Martin offer as the secret to good string writing? (from Chapters 12-15)

Writing a separate part for each musician.

Writing as if for a piano, with parts for left and right hands.

Writing all parts close to the piano's middle C.

Writing for four parts, as if for four human voices.

2.

In Chapter 7 George Martin and Judy took their first trip to which club, where the Beatles often performed? (from Chapters 4-7)

The Liverpool Lounge.

The Cave.

Studio Fifty-Four.

The Cavern Club.

3.

How did the recording tape used at Capitol in 1958 differ from the tape used at Abbey Road? (from Chapters 8-11)

Capitol used one-inch tape to produce a three-track recording, while Abbey Road used half-inch tape to produce two tracks.

Capitol used half-inch tape to produce a three-track recording, while Abbey Road used quarter-inch tape to produce two tracks.

Capitol used half-inch tape to produce a three-track recording, while Abbey Road used quarter-inch tape to produce three tracks.

Capitol used quarter-inch tape to produce a two-track recording, while Abbey Road used half-inch tape to produce three tracks.

4.

In Chapter 10 George Martin describes his disappointment with EMI, due to their unwillingness to pay him a bonus, using what British turn of phrase? (from Chapters 8-11)

Sod this for a game of soldiers.

Blow this for a lark.

Sod this for a lark.

Let's blow this pop-stand.

5.

During recording sessions, as described in Chapter 5, George Martin and which artist often collapsed into fits of giggles? (from Chapters 4-7)

George Harrison.

Peter Sellers.

Frank Sinatra.

Peggy Lee.

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