Zorba the Greek Test | Mid-Book Test - Hard

This set of Lesson Plans consists of approximately 156 pages of tests, essay questions, lessons, and other teaching materials.

Zorba the Greek Test | Mid-Book Test - Hard

This set of Lesson Plans consists of approximately 156 pages of tests, essay questions, lessons, and other teaching materials.
Name: _________________________ Period: ___________________

This test consists of 5 short answer questions, 10 short essay questions, and 1 (of 3) essay topics.

Short Answer Questions

1. Why does Zorba suggest that the narrator should burn his library?

2. What does Zorba do when he hears his boss talking to the workmen?

3. Why does the narrator say that the sexual organs may get in the way of freedom?

4. Who do Zorba and the narrator stay with on their first night on the island?

5. What are the names of Zorba's two "half-honest" lovers?

Short Essay Questions

1. How does the narrator try to get the widow out of his mind at the beginning of Chapter 10?

2. What significance does the fact that Madame Hortense is a widow have toward the theme of manliness?

3. What does Zorba do while in Candia?

4. When Zorba tells the story of the old man who will never die, what does this show about his own and the narrator's perspectives on life and death?

5. Describe the first time that the narrator sees the widow.

6. What is Zorba's account of God's creation of woman?

7. How does the narrator's memory of the butterfly impact his feelings about approaching the widow?

8. Describe Zorba's only account of his heart being broken.

9. What does Karayannis's letter from Africa remind the narrator that he has always wanted to do?

10. How does the fact that Zorba is missing half of his finger relate to his connection between manliness and freedom?

Essay Topics

Write an essay for ONE of the following topics:

Essay Topic 1

The santuri instrument is an important symbol throughout the novel. It is one of many modes of expression between the two main characters.

Part 1) What does the santuri symbolize in terms of language?

Part 2) What is the significance of the fact that Zorba brags about his talent on the instrument yet will only play it when he's in the mood?

Part 3) Why do you think the santuri is the object left to the narrator when Zorba dies?

Essay Topic 2

Kazantzakis seems to use destruction, as opposed to creation, as a central theme which moves both main characters away from their original states and toward something new.

Part 1) What things, ideas, and people are destroyed in the novel? Which of these seem most symbolic to you?

Part 2) What two major destructions, which also happen to be the two great "works" of the narrator and Zorba, occur almost simultaneously near the end of the book?

• Are these parallel losses?

• Is one greater than the other?

• How do these two losses make the two characters more similar to one another?

• How do they make them more different?

Part 3) Do the human deaths in the story seem to add or take away from the overall circumstances of the two main characters? Why?

Essay Topic 3

Several occurrences dovetail into the final exorcism of the Buddha.

Part 1) The death of Madame Hortense coincides with the narrator's affair with the widow and his completion of the manuscript.

• How might Hortense's death symbolize the death of the Buddha? Was Hortense physically present in life?

• Could her fantasies about past lovers and her role as a siren be categorized as a part of the "Void"?

• What kind of symbolic import does the looting of her belongings have on the theme of the Buddha?

Part 2) Zorba ultimately encourages the narrator to pursue the widow. Describe the outcome of the physical intimacy.

• Do you believe that physical intimacy could free the narrator from his philosophizing?

• Does the narrator adopt Zorba's ideas about physical intimacy? Should he?

Part 3) Do you think the narrator is completely finished with the Buddha when he finishes the manuscript? Provide evidence to support your answer.

Short Answer Key

1. Why does Zorba suggest that the narrator should burn his library?

Because his books don't celebrate nature enough.

2. What does Zorba do when he hears his boss talking to the workmen?

He throws his boss out of the mine.

3. Why does the narrator say that the sexual organs may get in the way of freedom?

He says that being promiscuous can keep a man from going to heaven.

4. Who do Zorba and the narrator stay with on their first night on the island?

Dame Hortense.

5. What are the names of Zorba's two "half-honest" lovers?

Sophinka and Noussa.

Short Essay Answer Key

1. How does the narrator try to get the widow out of his mind at the beginning of Chapter 10?

The narrator views the widow as a temptation of the Evil One and focuses on writing his Buddha Manuscript in order to exorcise her image and the lust he feels for her from his mind. To him, his writing is comparable to the force of savages facing beasts with their spears.

2. What significance does the fact that Madame Hortense is a widow have toward the theme of manliness?

Madame Hortense is a character on whom Zorba and the narrator choose instantly to rely upon for shelter. The fact that she is completely devoid of Zorba's "manliness" (as a widowed woman) and has outlived her four great lovers, admirals who could be classified as the most manly of all men, speaks to a contrasting energy of freedom neither articulated by the narrator nor by Zorba.

3. What does Zorba do while in Candia?

He meets a young girl with whom he has an affair. He also spends all of the boss's money.

4. When Zorba tells the story of the old man who will never die, what does this show about his own and the narrator's perspectives on life and death?

Neither the narrator nor Zorba come to a conclusion about how one should live one's life. Zorba clearly lives as though each day is his last, in opposition to the old man in his story. The narrator is uncertain and contemplative about life and death and seems to change his mind slightly as he is influenced by different thinking.

5. Describe the first time that the narrator sees the widow.

The narrator and Zorba duck into a cafe in the middle of a rainstorm, and from here, they see the widow run past the window. The narrator immediately finds her beautiful, although there are a variety of responses to her presence, not all of them positive. Soon after, Mimiko enters and reports that the widow has lost her sheep and offers a reward to anyone who can help return it to her.

6. What is Zorba's account of God's creation of woman?

Zorba says that when God removed the rib from Adam, the devil turned into a snake and snatched the rib and ran off with it. God then chased the devil and caught him, but the devil ultimately got away while God was left holding only his horns. God then made woman out of the devil's horns rather than the rib of Adam.

7. How does the narrator's memory of the butterfly impact his feelings about approaching the widow?

The narrator had attempted to help the butterfly emerge from the cocoon by blowing warm air on it. Doing this made the butterfly emerge too quickly and die. The narrator realizes while meditating on this memory, that an individual must "confidently obey the eternal rhythm." He knows, in turn, that he can't speed his relationship with the widow and must let it unfold naturally.

8. Describe Zorba's only account of his heart being broken.

Zorba met a woman named Noussa ten days after leaving the village of his previous lover. Noussa invited him to her house for a feast at which Zorba gave a toast. After this, the lights went out and a massive orgy began. He lost Noussa in the midst of the orgy but found her the next day, and they remained together for 6 months. She then eloped with a soldier and broke Zorba's heart.

9. What does Karayannis's letter from Africa remind the narrator that he has always wanted to do?

He has a desire to see and touch as much of the world as he possibly can before he dies.

10. How does the fact that Zorba is missing half of his finger relate to his connection between manliness and freedom?

Zorba says that he cut part of his finger off because it got in the way of making pottery. He argues that anything that gets in the way of man doing what he wants should be removed. Because it takes a great deal of physical and mental courage to remove a body part, the connection for Zorba is strong.

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