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This test consists of 5 short answer questions, 10 short essay questions, and 1 (of 3) essay topics.
Short Answer Questions
1. What is the narrator's second goal at the end of Chapter 4?
2. Why does Zorba tell the narrator not to preach equality of the sexes?
3. About what does Zorba confront the miners?
4. With whom does Zorba begin a romance?
5. How does Lola refer to Zorba?
Short Essay Questions
1. What does Zorba represent in the story?
2. Describe Zorba's categories of marriage and how many of each he's experienced.
3. How does the narrator describe Zorba the first time he sees him dancing?
4. How does Zorba's version of the devil living inside him compare to Zorba himself?
5. Describe the painting that Zorba presents to Madame Hortense.
6. What reasons does Zorba give in Chapter 9 for so intensely wanting the narrator to go and sleep with the widow?
7. In Chapter 3, how are the relationships between men and women on Crete exhibited?
8. What does Zorba do while in Candia?
9. How does the narrator try to get the widow out of his mind at the beginning of Chapter 10?
10. Do you think the narrator has actually lost all interest and faith in poetry as he claims in Chapter 12? How so?
Essay Topics
Write an essay for ONE of the following topics:
Essay Topic 1
The narrator's intuition is a powerful asset which returns to him over and over as a sort of interface between the mind, body, and soul.
Part 1) Describe how the narrator's intuition works when he fabricates a letter from Zorba to Madame Hortense.
• How is he able to come up with Zorba's private terms of endearment?
• Do you think this level of intuition is more an act of the mind, the body, the soul, or some combination of the three?
Part 2) Do you think Zorba or the narrator is the more intuitive man?
• Taking into account their respective histories, what elements might have developed intuition more in one character or the other?
• Is intuition a product of being physically present or might it have developed as compensation for indulgence in a life of books?
Part 3) The narrator also exercises his intuition when he foresees Stavridaki's peril. Look for other instances in which the narrator seems to sense reality.
• How are these different from the way that Zorba considers reality?
• Does the narrator become more or less intuitive as the novel progresses?
• Does Zorba impact this characteristic in him?
Essay Topic 2
Human management of the desire for material things and other people is a central crux of the characters' experiences.
Part 1) How does Zorba suggest that intense desire be sated?
• How is this similar to the narrator's act of writing the Buddha Manuscript?
• Do you think there is more value in lust for abstract philosophizing than in lust for the material world? Or vice versa?
• Are they equally gluttonous attitudes?
Part 2) Zorba notes that all of the monks strongly desire some material thing.
• How does he encourage them to handle their desires?
• Does he encourage Demetrios and Gavrili to handle their lusts similarly?
• Does Zorba's attempt at getting a deal on the land support his theories on desire and satisfaction or contradict them?
Part 3) How do the men at the monastery symbolize the struggle between Zorba and the narrator? Do the bishop's great theories on religion and the abbot's business ventures make the men more like Zorba or more like the narrator?
Essay Topic 3
One theme throughout the story is that God and the devil may be one and the same creature.
Part 1) How does the narrator's writing of the Buddha Manuscript exhibit this theme?
Part 2) How does the atheist Zorba's description of both God and the devil support this theme?
Part 3) What does this mean in the narrator's search for ultimate "freedom"?
Short Answer Key
1. What is the narrator's second goal at the end of Chapter 4?
He wants to be more grounded in the physical world of men.
2. Why does Zorba tell the narrator not to preach equality of the sexes?
He says it will disrupt the island's way of life without offering solutions for making it better.
3. About what does Zorba confront the miners?
Failing to get their picks before exiting.
4. With whom does Zorba begin a romance?
Dame Hortense.
5. How does Lola refer to Zorba?
Grandad.
Short Essay Answer Key
1. What does Zorba represent in the story?
Zorba represents a man who lives for the physical world and ultimately for the individual self in that world. He is an agent of instinct and lacks theoretical reason for his actions. For the narrator, Zorba is a potential symbol of freedom in the narrator's quest to find freedom.
2. Describe Zorba's categories of marriage and how many of each he's experienced.
Zorba says he's been married "honestly," "half-honestly," and "dishonestly." He says that he's been married "honestly" or legally only once. He says that he's been "half-honestly" married, or in relationships similar to marriage that were not made formal and legal with a wedding, two times. He says that he's been "dishonestly" married a thousand times, and by this he is referring to every sexual encounter he's ever had.
3. How does the narrator describe Zorba the first time he sees him dancing?
The narrator says Zorba looks like he is wearing rubber shoes. He also says that Zorba's soul looks like it is trying to fling his body like a meteor into the darkness.
4. How does Zorba's version of the devil living inside him compare to Zorba himself?
Zorba says that the devil is a mirror image of himself. The only difference is that the devil refuses to grow old. He also wears a red carnation behind his ear.
5. Describe the painting that Zorba presents to Madame Hortense.
The painting has four huge battleships on it in red, gold, gray, and black, each with a flag from one of four countries: England, France, Italy, and Russia. Leading the battleship as a siren was Madame Hortense, naked with a yellow ribbon around her neck and holding four strings attached to the ships.
6. What reasons does Zorba give in Chapter 9 for so intensely wanting the narrator to go and sleep with the widow?
He says that women need men to sleep with them and protect them; that it is a part of a greater plan. He says she will be ruined if a man does not go and sleep with her. He also says that not taking the opportunity to sleep with her is one sin that God will not forgive.
7. In Chapter 3, how are the relationships between men and women on Crete exhibited?
In the beginning of the chapter, the narrator's encounter with the young women in the country exhibits the historical impact of war and violence on the male/female relationship. They are immediately frightened of him as a stranger, and so their encounter is stunted. Mavrandoni's offer to let the men stay in his house to avoid the scandal of staying with a woman also exhibits a level of division and acceptable interaction between men and women.
8. What does Zorba do while in Candia?
He meets a young girl with whom he has an affair. He also spends all of the boss's money.
9. How does the narrator try to get the widow out of his mind at the beginning of Chapter 10?
The narrator views the widow as a temptation of the Evil One and focuses on writing his Buddha Manuscript in order to exorcise her image and the lust he feels for her from his mind. To him, his writing is comparable to the force of savages facing beasts with their spears.
10. Do you think the narrator has actually lost all interest and faith in poetry as he claims in Chapter 12? How so?
No. When the narrator says of the Buddha, "I must mobilize words and their necromantic power...invoke magic rhythms; lay siege to him, cast a spell over him and drive him out of my entrails! I must throw over him the net of images, catch him and free myself!" he demonstrates a transformation in the way he sees poetry. He sees it less as contemplation and more as a physical act of using language. His use of the craft has changed, but it is untrue that he no longer has use for it as he so claims.
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This section contains 1,249 words (approx. 5 pages at 300 words per page) |


