3. What does Scarry say was removed from beauty with its demotion?
(a) Its widespread diversity.
(b) Its educational qualities.
(c) Its metaphysical qualities.
(d) Its good effects.

4. What led to beauty being trapped in a particular realm?
(a) People changing its ideas.
(b) The poems written about it.
(c) The negative views about it.
(d) Its demotion.

5. How are the complaints lodged against beauty described?
(a) Ridiculous.
(b) Unfair.
(c) Incoherent.
(d) All of these.

6. How many phases does Scarry use to illustrate the link between beauty and justice?
(a) Six.
(b) Two.
(c) Four.
(d) Three.

7. Where does Scarry say the desire for social good manifests itself?
(a) In communities.
(b) In the mind.
(c) On paper.
(d) As an object.

8. What is the fourth of the four examples used to disprove those who want to banish beauty?
(a) Gardens.
(b) Persons.
(c) Poems.
(d) Gods.

9. What concept did Edmund Burke write about?
(a) The caste system.
(b) The sublime.
(c) The Utopia.
(d) The equality.

10. What kind of potential does Scarry reaffirm when working in a garden?
(a) Personal potential.
(b) Human potential.
(c) National potential.
(d) Global potential.

11. What is the third phase used to illustrate the link between beauty and justice?
(a) Mid-Century writers.
(b) Classic philosophers.
(c) Contemporary writers.
(d) Baroque writers.

12. What is the first kind of perception described by Scarry?
(a) Voluntary.
(b) Passive.
(c) Active.
(d) Involuntary.

13. What country did the contemporary writer tell about?
(a) Ethiopia.
(b) Greece.
(c) Finaland.
(d) Ecuador.

14. What is negative about the widespread definition of beauty?
(a) It is not given credit for its good.
(b) It is not detailed enough.
(c) It is marked by what it cannot do.
(d) It is too detailed.

15. Who says that beauty decenters the viewer?
(a) Wall.
(b) Wellington.
(c) Wittengate.
(d) Weil.