4. In Chapter 13, after having viewed the Pieta, Asher draws a man surrounded by what?
(a) Pigeons.
(b) Fallen leaves.
(c) Sea gulls.
(d) Mud.

5. What day is it when Asher and Aryeh have the discussion about blindness and about the technical language of the critics?
(a) Tuesday.
(b) Monday.
(c) Yom Kippur.
(d) Shabbos.

6. Where does Asher want to go after graduating?
(a) Columbia University.
(b) Europe.
(c) Medical school.
(d) Seattle.

7. In Chapter 10, which museum do Jacob Kahn and Asher visit together?
(a) The Smithsonian.
(b) The Brooklyn Museum.
(c) The Louvre.
(d) The Chrysler Museum.

8. Jacob Kahn compares his sculpting of Asher to which famous piece of art?
(a) The David.
(b) The Mona Lisa.
(c) American Gothic.
(d) The Sistine Chapel.

9. At the show, Jacob Kahn tells Asher that he wishes he had whose "gall"?
(a) Picasso's.
(b) The Rebbe's.
(c) Chagall's.
(d) Moses's.

10. At the very end of Chapter 13, to which city does Asher travel?
(a) Minneapolis.
(b) Paris.
(c) Florence.
(d) New York City.

11. One art critic describes Asher's work as having a "menacing affinity" for what?
(a) The macabre.
(b) "Picassoid forms."
(c) "Chagallian excesses."
(d) The absurd.

12. Which subject shows up on Asher's schedule without his having requested it?
(a) Civics.
(b) Russian.
(c) Algebra.
(d) French.

13. In Chapter 14, which character does Asher call to ask about his parents?
(a) The mashpia.
(b) Yudel Krinsky.
(c) Avraham Cutler.
(d) Rav Dorochoff.

14. What does Jacob Kahn call the man who talks to them about the art market in Tokyo?
(a) A whore.
(b) A shark.
(c) Naive.
(d) Obnoxious.

15. Asher's first original creation in Jacob Kahn's studio is in what medium?
(a) Oils on canvas.
(b) Marble.
(c) Charcoals.
(d) Plaster of paris.