3. Where is Ginzburg assigned?
(a) To the children's hospital.
(b) To the kitchen crew.
(c) To the laundry rooms.
(d) To the camp library.

4. What does Ginzburg's visitor tell her?
(a) Her son is still very ill.
(b) She is having an appeal filed.
(c) She needs to eat.
(d) Her children are well.

5. What is different about the women in Hut 7?
(a) They have more freedom than the others.
(b) They are under the greatest restrictions.
(c) They are convicted murderesses.
(d) They are politically the highest group.

6. What helps Ginzburg sleep?
(a) Composing mental poetry.
(b) Praying.
(c) Singing.
(d) Meditating.

7. What does Maria Nimtsevitskaya give Ginzburg?
(a) A new pair of shoes.
(b) A letter from Ginzburg's husband.
(c) A wool jacket.
(d) A bottle of multi-vitamins.

8. Who is Angelina Klimenko?
(a) A secret police investigator.
(b) A physician and the wife of a secret police investigator.
(c) A nurse who used to work in the fields as a peasant.
(d) A prison guard.

9. What do the two women continue to hide?
(a) Notes from other prisoners.
(b) Letters smuggled into them from their families.
(c) Fish bones and medicine.
(d) Their writings.

10. What does Kucherenko demand?
(a) The work quotas be raised.
(b) The work quotas be lowered.
(c) The prisoners be given better clothing.
(d) The women be given lighter duty.

11. Who puts on a show for the camp?
(a) Soviets in the nearby town.
(b) Prisoners in Hut 7.
(c) Prisoners in Ginzburg's hut.
(d) No one.

12. What is Ginzburg allowed at Magadan Infirmary?
(a) To help care for the patients.
(b) To receive letters from home.
(c) To eat better.
(d) To take baths.

13. What is the Italian woman doing?
(a) Moaning.
(b) Screaming.
(c) Singing.
(d) Praying the rosary.

14. How is Julia and Ginzburg's existence described?
(a) Bleak.
(b) Structured.
(c) Fairly comfortable.
(d) Dismal.

15. What happens when Ginzburg and Karepova are put in a cell together?
(a) They blame each other for being a turncoat.
(b) They talk for hours on end at end.
(c) They ration their speaking so as not to run out of things to say.
(d) They plot ways to escape.