3. How does Hank feel about writing?
(a) It never feels like work.
(b) It always feels like work.
(c) It's his escape.
(d) It's his life.

4. The road which the agent takes Hank and Sarah to is ______________.
(a) Gravel and rutted.
(b) Potholed and rutted.
(c) Paved and clean.
(d) Dirt and gravel.

5. What does Hank reflect on as they drive to Jon and Francois's?
(a) The landscaped yards.
(b) The apparent racial tension.
(c) The poverty of the area.
(d) The rich and famous residents.

6. Who is considered to be a genius French filmmaker?
(a) Renoir.
(b) Sanrah.
(c) Modard.
(d) Racine.

7. What does the novel contemplate or examine in Part 2?
(a) The buying process.
(b) The creative process.
(c) The selling process.
(d) The writing process.

8. Whom does Pinchot remark he admires?
(a) Ugly men.
(b) Wealthy women.
(c) Healthy men.
(d) Strange men.

9. Where does Hank suggest they go when Francois returns to the table?
(a) A party.
(b) The office.
(c) Musso's.
(d) The racetrack.

10. How are Hank and Sarah met by their first attempt at house shopping?
(a) Happily.
(b) Rejected.
(c) Politely.
(d) Easily.

11. What do Hank and Sarah do at the end of Part 3?
(a) Go to sleep.
(b) Drink til the sunset.
(c) Go to dinner.
(d) Drink til the sun rises.

12. What did Sarah and Hank continue doing with their accountant?
(a) Drinking.
(b) Talking.
(c) Calling him.
(d) Meeting with him.

13. Whom does Hank halfheartedly agree to share the screenwriting with at the end of Part 1?
(a) Racine.
(b) Pinchot.
(c) Mamin.
(d) Sarah.

14. In Part 3, Hank and Sarah go to___________.
(a) An agent's office.
(b) A producer's office.
(c) A real estate office.
(d) A law office.

15. Sarah wonders if ___________ read Hank's work.
(a) Satisfied people.
(b) Famous people.
(c) Intelligent people.
(d) Rich people.