3. What did Catharina keep in the studio that needed to be locked?
(a) Jewelry.
(b) Family portraits.
(c) Valuable furniture.
(d) Money.

4. After the suggestion that he should paint Griet, how did Vermeer act toward her?
(a) Distant.
(b) Warm.
(c) Eager.
(d) Rude.

5. What was the name of the head maid in Griet's new home?
(a) Vermeer.
(b) Tamakin.
(c) Tanneke.
(d) Johannes.

6. When Pieter the Son came to visit Griet, whom did she feel watching them?
(a) Frans.
(b) Catharina.
(c) Vermeer.
(d) Cornelia.

7. What aspect of Tanneke's personality moved Griet after she talked to Pieter?
(a) Respect.
(b) Admiration.
(c) Loyalty.
(d) Kindness.

8. Who was Griet's younger sister?
(a) Alexandria.
(b) Abigail.
(c) Agnes.
(d) Amberly.

9. Who was the owner of Vermeer's painting of the lady at the window?
(a) Van Amberson.
(b) Van Andelyn.
(c) Van Ruijven.
(d) Van Burne.

10. If Griet were to choose Pieter the Son, what kind of life would she be choosing?
(a) Poverty.
(b) Stable domestic life.
(c) Life of vanity and beauty.
(d) Nomadic life.

11. What color did Griet lay out for Vermeer to use on the butcher's daughter's skirt?
(a) A combination of many colors.
(b) Green.
(c) Blue.
(d) Yellow.

12. What side story was meant to highlight the complexity of Griet's move to the Vermeer home?
(a) The death of Griet's sister.
(b) Griet's frequent trips to visit her brother.
(c) The plague's effects on the town.
(d) Griet's vanity.

13. What color did Vermeer say the clouds were when the clouds worked together?
(a) Yellow.
(b) Gray.
(c) White.
(d) Green.

14. Who watched Griet with a smirk as she almost touched the pearls sitting out in the studio?
(a) Johannes.
(b) Cornelia.
(c) Catharina.
(d) Maria.

15. Whom did it seem that Vermeer was competing with most when it came to Griet?
(a) Pieter.
(b) Pieter the Son.
(c) Van Ruijven.
(d) Frans.