1. When Pai asks Oscar to read several passages and state whether he recognizes them, from where does Oscar acknowledge they come?
(a) Eugene O'Neill's dreary play, Mourning Becomes Electra.
(b) Kaufman and Hart's play, You Can't Take It With You.
(c) Gower Champions' musical, 42nd Street.
(d) Eugene O'Neill's play, Ah Wilderness.

2. What does Trish gush with joy over, besides Oscar now having someone to sue so he will be set for life?
(a) Christina landing a lawyer for a husband.
(b) Getting invited to visit Oscar.
(c) How cute Christina's new dress is.
(d) Oscar's hospital room.

3. Why does Basie explain the complaint must conform to the Federal Rules of Civil Procedure?
(a) Or others may laugh at it.
(b) It will be taken too seriously.
(c) He does not want to risk not being taken seriously.
(d) Or risk being dismissed.

4. To what does Pai direct Oscar's attention to that Oscar identifies as coming from Book 1 of Plato's Republic?
(a) The dialogue between Thomas and Kane about Bagby's illegal dealings.
(b) The dialogue between the Major and Kane about money and how man at the point of death is troubled by things he has never before taken seriously.
(c) The dialogue between the Major and Kane about Bagby and Thomas begin in cahoots.
(d) The dialogue between Mother and Thomas about his trip north to protect his late uncle's assets.

5. Of what does Thomas accuse his mother?
(a) Cherishing justice and easily relinquishing the past.
(b) Not being kind enough to all the slaves.
(c) Cherishing injustice and refusing to relinquish the past.
(d) Being too harsh on John Israel.