Leonard Bernstein, Findings (New York: Simon & Schuster, 1982);

Douglas Brode, The Films of the Eighties (New York: Citadel Press, 1990);

Edward D. C. Campbell, The Celluloid South: Hollywood and the Southern Myth (Knoxville: University of Tennessee Press, 1981);

Francis Davis, In the Moment: Jazz in the 1980s (New York: Oxford University Press, 1986);

David Evans, Big Road Blues: Tradition and Creativity in the Folk Blues (Berkeley: University of California Press, 1982);

Jonathan Fineburg, Art Since 1940: Strategies of Being (New York: Abrams, 1995);

Peter Frank and Michael McKenzie, New, Used & Improved: Art for the '80s (New York: Abbeville Press, 1987);

Deborah R. Geis, Postmodern Theatric(k)s: Monologue in Contemporary American Drama (Ann Arbor: University of Michigan Press, 1993);

Gary Giddins, Rhythm-a-ning: Jazz Tradition and Innovation in the '80s (New York: Oxford University Press, 1986);

Giddins, Riding on a Blue Note: Jazz and American Pop (New York: Oxford University Press, 1981);

Tony Godfrey, The New Image: Painting...