Thence I travelled to Breslau, where the concert director, Damrosch, had arranged a concert for me. I had made his acquaintance on my last visit to Weimar, and had also heard of him through Liszt. Unfortunately the conditions here struck me as extraordinarily dismal and desperate. The whole affair had been planned on the meanest scale, as indeed I might have expected. A perfectly horrible concert-room, which usually served as a beer-restaurant, had been engaged. At the rear of this, and separated from it by a dreadfully vulgar curtain, was a small ‘Tivoli’ theatre, for which I was obliged to procure an elevated plank-floor for the orchestra, and the whole concern so disgusted me that my first impulse was to dismiss the seedy-looking musicians on the spot. My friend Damrosch, who was very much upset, had to promise me that at least he would have the horrible reek of tobacco in the place neutralised. As he could offer no guarantee as to the amount of the receipts, I was only induced in the end to go on with the enterprise by my desire not to compromise him too severely. To my amazement I found almost the entire room, at all events the front seats, filled with Jews, and in fact I owed such success as I obtained to the interest excited in this section of the population, as I learned the next day, when I attended a mid-day dinner arranged in my honour by Damrosch, at which again only Jews were present.


