not in his nature to hate; he could not do it if he tried.  The characteristic of Iago is that deep motiveless malignity which rejoices in evil as its proper element, which loves evil as good men love virtue.  In his calculations on the character of the Moor, he despises his unsuspicious trustingness as imbecility, while he hates him as a man because his nature is the perpetual opposite and perpetual reproach of his own ....  Now Reineke would not have hurt a creature, not even Scharfenebbe, the crow’s wife, when she came to peck his eyes out, if he had not been hungry; and that gastros ananke, that craving of the stomach, makes a difference quite infinite.  It is true that, like Iago, he rejoices in the exercise of his intellect; the sense of his power, and the scientific employment of his time are a real delight to him; but then, as we said, he does not love evil for its own sake; he is only somewhat indifferent to it.  If the other animals venture to take liberties with him, he will repay them in their own coin, and get his quiet laugh at them at the same time; but the object generally for which he lives is the natural one of getting his bread for himself and his family; and, as the great moralist says, “It is better to be bad for something than for nothing.”  Badness generally is undesirable; but badness in its essence, which may be called heroic badness, is gratuitous.

But this first thought served merely to give us a momentary relief from our alarm, and we determined we would sift the matter to the bottom, and no more expose ourselves to be taken at such disadvantage.  We went again to the poem, with our eyes open, and our moral sense as keenly awake as a genuine wish to understand our feelings could make it.  We determined that we would really know what we did feel and what we did not.  We would not be lightly scared away from our friend, but neither would we any more allow our judgment to be talked down by that fluent tongue of his; he should have justice from us, he and his biographer, as far as it lay with us to discern justice and to render it.

And really on this deliberate perusal it did seem little less than impossible that we could find any conceivable attribute illustrated in Reineke’s proceedings which we could dare to enter in our catalogue of virtue, and not blush to read it there.  What sin is there in the Decalogue in which he has not steeped himself to the lips?  To the lips, shall we say? nay, over head and ears—­rolling and rollicking in sin.  Murder, and theft, and adultery, sacrilege, perjury, lying his very life is made of them.  On he goes to the end, heaping crime on crime, and lie on lie, and at last, when it seems that justice, which has been so long vainly halting after him, has him really in her iron grasp, there is a solemn appeal to heaven, a challenge, a battle ordeal, in which, by means we may not venture even to whisper, the villain prospers, and comes out glorious, victorious, amidst the applause of a gazing