Froude's Essays in Literature and History eBook

This eBook from the Gutenberg Project consists of approximately 423 pages of information about Froude's Essays in Literature and History.

Froude's Essays in Literature and History eBook

This eBook from the Gutenberg Project consists of approximately 423 pages of information about Froude's Essays in Literature and History.

For, ultimately, how do we know that right is right, and wrong is wrong?  People in general accept it on authority; but authority itself must repose on some ulterior basis; and what is that? . . .  Are we to say that in morals there is a system of primary axioms, out of which we develop our conclusions, and apply them, as they are needed, to life?  It does not appear so.  The analogy of morals is rather with art than with geometry.  The grace of heaven gives us good men, and gives us beautiful creations; and we, perceiving by the instincts within ourselves that celestial presence in the objects on which we gaze, find out for ourselves the laws which make them what they are, not by comparing them with any antecedent theory, but by careful analysis of our own impressions, by asking ourselves what it is which we admire in them, and calling that good, and calling that beautiful.

So, then, if admiration be the first fact, if the sense of it be the ultimate ground on which the after temple of morality, as a system, upraises itself, if we can be challenged here on our own ground, and fail to make it good, what we call the life of the soul becomes a dream of a feeble enthusiast, and we moralists a mark for the sceptic’s finger to point at with scorn.

Bold and ably urged arguments against our own convictions, if they do not confuse us, will usually send us back over our ground to re-examine the strength of our positions:  and if we are honest with ourselves, we shall very often find points of some uncertainty left unguarded, of which the show of the strength of our enemy will oblige us to see better to the defence ....  It was not without some shame, and much uneasiness, that, while we were ourselves engaged in this process, full of indignation with Mr. Macaulay, we heard a clear voice ringing in our ear, “Who art thou that judgest another?” and warning us of the presence in our own heart of a sympathy, which we could not deny, with the sadly questionable hero of the German epic, Reynard the Fox.  With our vulpine friend, we were on the edge of the very same abyss, if, indeed, we were not rolling in the depth of it.  By what sophistry could we justify ourselves, if not by the very same which we had just been so eagerly condemning?  And our conscience whispered to us that we had been swift to detect a fault in another, because it was the very fault to which, in our own heart of hearts, we had a latent leaning.

Was it so indeed, then?  Was Reineke no better than Iago?  Was the sole difference between them, that the vales sacer who had sung the exploits of Reineke loved the wicked rascal, and entangled us in loving him?  It was a question to be asked ....  And yet we had faith enough in the straightforwardness of our own sympathies to feel sure that it must admit of some sort of answer.  And, indeed, we rapidly found an answer satisfactory enough to give us time to breathe, in remembering that Reineke, with all his roguery, has no malice in him ....  It is

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Froude's Essays in Literature and History from Project Gutenberg. Public domain.