Cite des Dames (Le Tresor de la)—­“sclon dame christine.”  Without Date.  Folio.  A fine, tall, clean copy; UPON VELLUM.  The printer seems in all probability to have been Verard.  In red morocco binding.

Coronica del Cid ruy Diaz. Printed at Seville. Without Date. Quarto.  The preceding title is beneath a neat wood-cut of a man on horseback, brandishing his sword; an old man, coming out of a gate, is beside him.  The signatures from a to i vj, are in eights.  On f ij is a singular wood-cut of a lion entering a room, where a man is apparently sleeping over a chess-board, while two men are rising from the table:  this cut is rudely executed.  On i v is the colophon.  This edition is executed in that peculiarly rich and handsome style of printing, in a bold gothic letter, which distinguishes the early annals of the Spanish press.  The present beautifully clean copy belonged to PRINCE EUGENE; but it has been severely cropt.

Ein nuizlich buechlin das man nennet den Pilgrim das hat der wuerdig doctor keyserperg zue Augspurg geprediget.  Such is the title of this singular tract, printed by Lucas Zeisenmair at Augsbourg in 1498.  Small 4to.  It has many clever and curious wood-cuts; and I do not remember, in any part of Germany where I have travelled, to have seen another copy of it.

Fierbras. Printed by G. Le Roy. 1486.  Folio.  This is a small folio, and the third edition of the work.  This copy is quite perfect; containing the last leaf, on which is a large wood-cut.  All the cuts here are coloured after the fashion of the old times.  This sound and desirable copy, in red morocco binding, once graced the library of PRINCE EUGENE.

Iosephe. Printed by Verard. 1492.  Folio. “Cy finist l’hystoire de Josephus de la bataille Judaique, &c.”  This is a noble folio volume; printed in the large handsome type of Verard, abounding with wood cuts.  It is in red morocco binding.

Jouvencel (Le). Printed by Verard, 1497.  Folio.  This is a fine copy, with coloured cuts, printed UPON VELLUM.  It is badly bound.

Lancelot du Lac. Printed by Verard. 1488.  Folio. 2 vols.  First Edition.  A fine clean copy, but somewhat cropt.  It once belonged to PRINCE EUGENE, and is bound in red morocco.

——­ Printed by the Same. 1496.  Folio. 3 vols.  UPON VELLUM.  In fine old red morocco binding, beautifully tooled.  This copy measures fifteen inches six-eighths in height, by ten inches five-eighths in width.

Les Deux Amans. Printed by Verard. 1493.  Quarto.  The title is beneath the large L, of which a fac-simile appears in the first vol. of my edition of our Typographical Antiquities.  The work is old French poetry.  Verard’s device is on the last leaf.  A copy of this book is, in all probability, in a certain black-letter French-metrical cabinet in Portland Place.