[Illustration: 341.jpg GOLD EPERGNE REPRESENTING SCENES FROM ETHIOPIAN LIFE]
Drawn by Faucher-Gudin, from a painting on the tomb of Hui.
A wall-painting remains of a gold epergne, which represents men and monkeys engaged in gathering the fruit of a group of dom-palms. Two individuals lead each a tame giraffe by the halter, others kneeling on the rim raise their hands to implore mercy from an unseen enemy, while negro prisoners, grovelling on their stomachs, painfully attempt to raise their head and shoulders from the ground. This, doubtless, represents a scene from the everyday life of the people of the Upper Nile, and gives a faithful picture of what took place among many of its tribes during a rapid inroad of some viceroy of Kush or a raid by his lieutenants.
The resources which Thutmosis I. was able to draw regularly from these southern regions, in addition to the wealth collected during his Syrian campaign, enabled him to give a great impulse to building work. The tutelary deity of his capital—Amon-Ra—who had ensured him the victory in all his battles, had a prior claim on the bulk of the spoil; he received it as a matter of course, and his temple at Thebes was thereby considerably enlarged; we are not, however, able to estimate exactly what proportion fell to other cities, such as Kummeh, Elephantine,* Abydos,** and Memphis, where a few scattered blocks of stone still bear the name of the king. Troubles broke out in Lower Egypt, but they were speedily subdued by Thutmosis, and he was able to end his days in the enjoyment of a profound peace, undisturbed by any care save that of ensuring a regular succession to his throne, and of restraining the ambitions of those who looked to become possessed of his heritage.***


