The Arte of English Poesie eBook

This eBook from the Gutenberg Project consists of approximately 355 pages of information about The Arte of English Poesie.

The Arte of English Poesie eBook

This eBook from the Gutenberg Project consists of approximately 355 pages of information about The Arte of English Poesie.

[Sidentote:  Antonomasia, or the Surnamer.] And if this manner of naming of persons or things be not by way of misnaming as before, but by a conuenient difference, and such as is true or esteemed and likely to be true, it is then called not metonimia, but antonomasia, or the Surnamer, (not the misnamer, which might extend to any other thing aswell as to a person) as he that would say:  not king Philip of Spaine, but the Westerne king, because his dominion lieth the furdest West of any Christen prince:  and the French king the great Vallois, because so is the name of his house, or the Queene of England, The maiden Queene, for that is her hiest peculiar among all the Queenes of the world, or as we said in one of our Partheniades, the Bryton mayde, because she is the most great and famous mayden of all Brittayne:  thus,
  But in chaste stile, am borne as I weene
  To blazon foorth the Brytton mayden Queene.

So did our forefathers call Henry the first, Beauclerke, Edmund Ironside, Richard coeur de lion:  Edward the Confessor, and we of her Maiestie Elisabeth the peasible.

[Sidenote:  Onomatopeia, or the New namer.] Then also is the sence figuratiue when we deuise a new name to any thing consonant, as neere as we can to the nature thereof, as to say:  flashing of lightning, clashing of blades, clinking of fetters, chinking of money:  & as the poet Virgil said of the sounding a trumpet, ta-ra-tant, taratantara, or as we giue special names to the voices of dombe beasts, as to say, a horse neigheth, a lyon brayes, a swine grunts, a hen cackleth, a dogge howles, and a hundreth mo such new names as any man hath libertie to deuise, so it be fittie for the thing which he couets to expresse.

  [Sidenote:  Epitheton, or the Quallifier,
   otherwise the figure of Attribution.]
Your Epitheton or qualifier, whereof we spake before, placing him among the figures auricular, now because he serues also to alter and enforce the sence, we will say somewhat more of him in this place, and do conclude that he must be apt and proper for the thing he is added vnto, & not disagreable or repugnant, as one that said:  darke disdaine and miserable pride, very absurdly, for disdaine or disdained things cannot be said darke, but rather bright and cleere, because they be beholden and much looked vpon, and pride is rather enuied then pitied or miserable, vnlessse it be in Christian charitie, which helpeth not the terme in this case.  Some of our vulgar writers take great pleasure in giuing Epithets and do it almost to euery word which may receiue them, and should not be so, vea though they were neuer so propre and apt, for sometimes wordes suffered to go single, do giue greater sence and grace than words quallified by attributions do.

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The Arte of English Poesie from Project Gutenberg. Public domain.