One of the halls of sculpture is appropriated to the figures of animals of all kinds, from the lion and eagle down to the rat and crawfish in marbles of all colors, and of all sizes; the best executed among them appeared to me a group representing a greyhound bitch giving suck to her young.  As for the valuable cameos, coins, medals, and smaller remnants of antiquity in this Museum, they are innumerable.

With regard to the paintings that belong to this Museum, there is only a small, collection but it is unique.  Here is the Transfiguration and some other masterpieces of Rafaello.

In the Stanze di Rafaello (so they are called) are several large fresco paintings, viz., one representing the battle of Maxentius and Constantine; another, the school of Athens and Socrates sitting among the other philosophers; a third representing a fire; besides others.

In one of these stanze is a work in tapestry representing Jesus Christ bursting forth from the sepulchre, but he has a visage far too rubicund and wanting in dignity; he looks like a person flushed with wine issuing from a tavern; in the countenance there is depicted (so it appears to me) a vulgar, not a dignified triumph.

The Palace of the Vatican is of immense size and is said to cover as much ground as the city of Turin; and I am inclined to think that there is not a great deal of exaggeration in this statement, for the vista along the corridors and galleries appears to be endless.  The Library of the Vatican is of course very extensive and of immense value; but the books, as well as the manuscripts, are kept in presses which are locked, and it is rather awkward to be continually applying to the custode to take out and put back a book.

The Museum of the Vatican is open twice a week to the public, viz.  Thursdays and Sundays; but foreigners, on shewing their passports, may obtain admission at any time.

ROME, 17th Sept.

My next visit was to the Capitol in order to inspect the Museum Capitolinum.  This time I ascended the magnificent escalier of Michel Angelo, having the equestrian statue of Marcus Aurelius in front.  On arriving at the courtyard, I entered the building on my left (which is on the right of the facade).  Under the colonnaded portico of this wing are the statues of Caesar and Augustus; here too is the naval column of the consul Duilius, in commemoration of the first naval victory gained over the Carthaginians; also a colossal statue of the Rhine called Marforio.  In one of the halls two large statues of the Egyptian Goddess Isis and various other Egyptian divinities.  In this Museum among other things is an altar representing Claudia drawing to the land the Ship of Cybele; a magnificent sarcophagus with a bas relief on its side representing the progress of life; Amalthea giving suck to Jupiter; the God Anubis found among the ruins of Adrian’s palace at Tivoli.  On ascending the staircase, I observed