The Essays of Arthur Schopenhauer; the Art of Controversy eBook

This eBook from the Gutenberg Project consists of approximately 105 pages of information about The Essays of Arthur Schopenhauer; the Art of Controversy.

The Essays of Arthur Schopenhauer; the Art of Controversy eBook

This eBook from the Gutenberg Project consists of approximately 105 pages of information about The Essays of Arthur Schopenhauer; the Art of Controversy.

The Pythagorean[1] principle that like is known only by like is in many respects a true one.  It explains how it is that every man understands his fellow only in so far as he resembles him, or, at least, is of a similar character.  What one man is quite sure of perceiving in another is that which is common to all, namely, the vulgar, petty or mean elements of our nature; here every man has a perfect understanding of his fellows; but the advantage which one man has over another does not exist for the other, who, be the talents in question as extraordinary as they may, will never see anything beyond what he possesses himself, for the very good reason that this is all he wants to see.  If there is anything on which he is in doubt, it will give him a vague sense of fear, mixed with pique; because it passes his comprehension, and therefore is uncongenial to him.

[Footnote 1:  See Porphyry, de Vita Pythagorae.]

This is why it is mind alone that understands mind; why works of genius are wholly understood and valued only by a man of genius, and why it must necessarily be a long time before they indirectly attract attention at the hands of the crowd, for whom they will never, in any true sense, exist.  This, too, is why one man will look another in the face, with the impudent assurance that he will never see anything but a miserable resemblance of himself; and this is just what he will see, as he cannot grasp anything beyond it.  Hence the bold way in which one man will contradict another.  Finally, it is for the same reason that great superiority of mind isolates a man, and that those of high gifts keep themselves aloof from the vulgar (and that means every one); for if they mingle with the crowd, they can communicate only such parts of them as they share with the crowd, and so make themselves common.  Nay, even though they possess some well-founded and authoritative reputation amongst the crowd, they are not long in losing it, together with any personal weight it may give them, since all are blind to the qualities on which it is based, but have their eyes open to anything that is vulgar and common to themselves.  They soon discover the truth of the Arabian proverb:  Joke with a slave, and he’ll show you his heels.

It also follows that a man of high gifts, in his intercourse with others, must always reflect that the best part of him is out of sight in the clouds; so that if he desires to know accurately how much he can be to any one else, he has only to consider how much the man in question is to him.  This, as a rule, is precious little; and therefore he is as uncongenial to the other, as the other to him.

* * * * *

Goethe says somewhere that man is not without a vein of veneration.  To satisfy this impulse to venerate, even in those who have no sense for what is really worthy, substitutes are provided in the shape of princes and princely families, nobles, titles, orders, and money-bags.

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The Essays of Arthur Schopenhauer; the Art of Controversy from Project Gutenberg. Public domain.