The Essays of Arthur Schopenhauer; the Art of Controversy eBook

This eBook from the Gutenberg Project consists of approximately 105 pages of information about The Essays of Arthur Schopenhauer; the Art of Controversy.

The Essays of Arthur Schopenhauer; the Art of Controversy eBook

This eBook from the Gutenberg Project consists of approximately 105 pages of information about The Essays of Arthur Schopenhauer; the Art of Controversy.

When we are on a journey, and all kinds of remarkable objects press themselves on our attention, the intellectual food which we receive is often so large in amount that we have no time for digestion; and we regret that the impressions which succeed one another so quickly leave no permanent trace.  But at bottom it is the same with travelling as with reading.  How often do we complain that we cannot remember one thousandth part of what we read!  In both cases, however, we may console ourselves with the reflection that the things we see and read make an impression on the mind before they are forgotten, and so contribute to its formation and nurture; while that which we only remember does no more than stuff it and puff it out, filling up its hollows with matter that will always be strange to it, and leaving it in itself a blank.

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It is the very many and varied forms in which human life is presented to us on our travels that make them entertaining.  But we never see more than its outside, such as is everywhere open to public view and accessible to strangers.  On the other hand, human life on its inside, the heart and centre, where it lives and moves and shows its character, and in particular that part of the inner side which could be seen at home amongst our relatives, is not seen; we have exchanged it for the outer side.  This is why on our travels we see the world like a painted landscape, with a very wide horizon, but no foreground; and why, in time, we get tired of it.

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One man is more concerned with the impression which he makes upon the rest of mankind; another, with the impression which the rest of mankind makes upon him.  The disposition of the one is subjective; of the other, objective; the one is, in the whole of his existence, more in the nature of an idea which is merely presented; the other, more of the being who presents it.

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A woman (with certain exceptions which need not be mentioned) will not take the first step with a man; for in spite of all the beauty she may have, she risks a refusal.  A man may be ill in mind or body, or busy, or gloomy, and so not care for advances; and a refusal would be a blow to her vanity.  But as soon as he takes the first step, and helps her over this danger, he stands on a footing of equality with her, and will generally find her quite tractable.

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The praise with which many men speak of their wives is really given to their own judgment in selecting them.  This arises, perhaps, from a feeling of the truth of the saying, that a man shows what he is by the way in which he dies, and by the choice of his wife.

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If education or warning were of any avail, how could Seneca’s pupil be a Nero?

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The Essays of Arthur Schopenhauer; the Art of Controversy from Project Gutenberg. Public domain.