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United States: Essays 1952-1992 Chapter Summary & Analysis - "Who Makes the Movies?" (1976) Summary

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"Who Makes the Movies?" (1976) Summary and Analysis

Former screenwriter Vidal's answer to the rhetorical question posed in the title of this article: the director. To another rhetorical question, "Who should make the movies?" Vidal answers: the writer. Then television. With the challenge to the silver screen from the cathode tube, the directors ("icons") became, well, paramount and were seen as artists and the saviors of film. "Then out of France came the dreadful news: all those brothers-in-law of the classic era were really autonomous and original artists," Vidal observes.

The absurdity of this view is that "regardless of director, every Warner Brothers film during the classic age had a dark look owing to the Brothers' passion for saving money in electricity and set-dressing cut no ice with ambitious critics on the prowl for high art...

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This section contains 282 words
(approx. 1 page at 300 words per page)
Purchase our United States: Essays 1952-1992 Study Guide
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United States: Essays 1952-1992 from BookRags and Gale's For Students Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.
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