Kafka has inspired many of the great novelists of the twentieth century. Consequently, there is an incredible amount of literary criticism devoted to his work. The critical material discussing The Trial falls between two poles. On the one hand, Kafka is viewed through a psychological or religious lens that sees the tensions of his work as derived from an Oedipal complex or the heritage of the Judaic law. At the other extreme, where few tread, are the positivist approaches of Walter Benjamin, Gilles Deleuze, and Felix Guattari. This latter approach finds a new philosophy, a new politics, in Kafka that is as yet unexplored. Whatever the approach, there is general agreement that Kafka should be praised for his deft depiction of twentieth-century alienation and bureaucracy at the universal level.

"The Trial: What a strange, exciting, original, and delightful book this is … a web of gossamer, the...