The Counterlife Themes

This Study Guide consists of approximately 36 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of The Counterlife.
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Identity Within a Group or What Kind of Jew Are You?

Throughout the novel at least two of the main characters, Nathan and Henry Zuckerman, struggle with their place within their own ethnic or religious group. Often they find themselves uncomfortable and unsure when the question is posed, and just as often they find themselves on the defensive when the issue is raised as an accusation. In one alternate version of the story, Part 2 "Judea," Henry has a sudden awakening and seeks to embrace his Jewish heritage. With only one exception, Nathan remains aloof and finds the question worthy only of generating humor in his fiction writing.

The exception to Nathan's experience comes in the final part of the novel titled "Christendom." Confronted with blatant anti-Semitism in England, Nathan is surprised how angry he becomes. Always before he had remained above what he saw as petty, or perhaps even silly, issues of religious affiliation. First his sister-in-law, then a rude and belligerent woman, and then even his own wife spout ideas of prejudice that Nathan finds shocking. He concludes that despite considering himself a Jew only by accident of birth, he is still the same type of Jew to those that harbor prejudice.

Some of the most intriguing ideas on the issue come from within the Jewish community itself. In Israel, Henry and Nathan encounter Jews that consider them Americanized and out of touch with what is truly important in the struggle of their people. They are far more familiar with the people back home in New Jersey who are Jewish in name only. Henry's wife says it best when she says she has no idea when Passover occurs.

The Counterlife as an Expression of the Desire to Correct Mi

Part of the human experience is to live a life with a course governed by decisions. Decisions often result in mistakes, and mistakes, just as definitely correct decisions, alter the course of one's life. All people in evaluating the crossroads they pass ask the question, "What if?" The characters in this novel are no exception, but unlike characters in reality. these characters can experience the consequences of alternate versions of reality.

The first and clearest example occurs in the transition from Part 1 to Part 2. In Part 1, Henry dies as a result of his surgery. In Part 2, Henry not only lives but he goes on a quest in search of understanding his Jewish heritage. In other alternate versions of the same story, Henry and Nathan switch roles. In Part 4, it is Nathan who dies as a result of surgery and Henry is left behind to try to understand the puzzles of his estranged brother's last days. Part 3 involves a somewhat bizarre tale of what could have happened to Nathan if there had been a hijack attempt on his flight to London, and in Part 5 the flight to London is quiet and peaceful.

Not only do the two main characters experience alternate versions of the same story. In Part 4, Maria experiences one ending to the story, the death of her lover and the discovery of her writing voice. In Part 5, Maria experiences what would have happened had Nathan lived, and with that final part to the novel she, and the readers, experience multiple versions of that ending.

The Counterlife: A Struggle Between Fiction and Reality

In the novel The Counterlife, all of the traditional boundaries between fiction and reality are blurred. As readers we are often shocked by abrupt reversals or completely new scenarios involving the same characters. We cannot tell if these alternate versions are the result of different narrators or are if they are entirely separate stories involving characters who happen to have the same names and associates. Even within the various alternate versions, it is difficult to tell what is part of the action and what is part of the internal imaginings of one of the narrators. Much of what some readers think is traditional action turns out to be the contents of an unpublished manuscript that three principle characters read and refer to.

Related to this seemingly unknowable distinction between reality and fiction is the idea of one of the main characters, Nathan Zuckerman, that there is no such thing as "self." He says that it is impossible for him to write about a particular person because no matter how hard he tries, the best he can do is end up with a character that is similar to the person. Nathan goes further and states that no one has a self. Everyone's self is a version of someone else that they adopt to suit various situations.

If there is any conclusion to the question of what distinguishes fiction from reality, it seems to be that all stories are merely versions, which means that all are both fiction and reality, and which means that all are equally valid.

This section contains 810 words
(approx. 3 pages at 400 words per page)
The Counterlife from BookRags. (c)2017 BookRags, Inc. All rights reserved.
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