The nota is an instrumental dance that is neither discussed in any detail nor identified by name in any musical source. It receives a passing reference in Grocheio's treatise, where he points out that it has formal elements of both the carol and the estampie. Jean Maillart, in his Le Roman du Comte d'Anjou of 1316, briefly mentions it in a manner that makes it clear that the nota is a distinct dance type: "Some sang pastourelles about Robichon and Amelot, others played on vielles chansons royal and estampies, dances and notas." Four instrumental dances have been.....