Some theorists, however, think that the individual arts come with their own unique sets of philosophical problems (Kivy 1997). The problem of the experience and value of absolute music, for example, does not have a clear parallel in any of the other arts, including the other abstract arts (Kivy 1990). Authenticity is a particular problem in the performing arts such as dance and music. But for the most part, questions in the philosophy of art have general application across the arts. Thus the problem of the nature of fictional characters has usually been taken to be a problem about literature, but representational works of visual art also contain fictional people, objects and events (Walton 1990). Similarly, the question as to why people get emotionally involved with fictional characters may seem to be unique to films and novels (Carroll 1990, Currie 1990, Feagin 1996, Lamarque 1996), but it applies equally to fictions in works of visual art.
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