The Rover

Discuss the institution of marriage as portrayed in the play _The Rover_ by Aphra Behn using textual references.

Discuss the institution of marriage as portrayed in the play _The Rover_ by Aphra Behn using textual references.

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Women in seventeenth-century Europe had few options in terms of marriage and courtship. They could not initiate relations with men, and often their parents made the final decision about whom they would marry. Families sometimes used marriages to seal business and political relationships, ignoring the daughter's interests. The practice of paying a dowry (by the bride's family to the groom's family) was also still common. Most families would invest their dowry money in the eldest daughter, vying to marry her into the best family possible. Younger daughters often were consigned to a convent, thus reducing expenses, while at the same time "contributing" to the church. In poorer families, prostitution became a viable option. Once married, often to a man she neither knew nor liked, a woman became his property, as did all of her belongings. With no means to prevent pregnancies, the wife became a baby "machine," producing heirs for the family and very often mourning their early deaths, since child mortality rates were shockingly high. Nevertheless, men expected sexual gratification from their wives (as well as from their mistresses) and required obedience and fidelity. This restrictive state of affairs inspired Mary Wollstonecraft over a hundred years later to quip that for women marriage was little more than "legalized prostitution."

In The Rover, Aphra Behn portrays the typical pattern of options available to women. As the eldest, Florinda is to be married to a man of her father's choosing. Hellena wryly describes the loveless marriage-bed that lies in store for Florinda if she marries the aging Don Vincentio. However, since their father is away, her brother has jurisdiction over her and has chosen his best friend as her mate. Hellena, he has dispatched to a nunnery. She has come home for a brief visit before taking her vows. Neither Florinda nor Hellena wants to obey Pedro's wishes, yet they have no recourse but to try to enjoy a day and night of freedom before their fates are sealed. That they both end up with the man they love and the freedom to marry him is nothing more than a matter of blind luck.